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Arousal, mood, and the Mozart effect

机译:唤起,情绪和莫扎特效应

摘要

The "Mozart effect" refers to claims that people perform better on tests of spatial abilities after listening to music composed by Mozart. We examined whether the Mozart effect is a consequence of between-condition differences in arousal and mood. Participants completed a test of spatial abilities after listening to music or sitting in silence. The music was a Mozart sonata (a pleasant and energetic piece) for some participants and an Albinoni adagio (a slow, sad piece) for others. We also measured enjoyment, arousal, and mood. Performance on tbe spatial task was better following the music than the silence condition but only for participants who heard Mozart. The two music selections also induced differential responding on the enjoyment, arousal and mood measures. Moreover, when such differences were held constant by statistical means, the Mozart effect disappeared. These findings provide compelling evidence that the Mozart effect is an artifact of arousal and mood.
机译:“莫扎特效应”是指人们在听了莫扎特的音乐后,在空间能力测试中表现更好。我们检查了莫扎特效应是否是唤醒和情绪条件间差异的结果。参加者在听音乐或保持沉默后完成了对空间能力的测试。对于某些参与者而言,音乐是莫扎特奏鸣曲(一种令人愉悦而充满活力的乐曲),对于其他参与者而言,这是一种Albinoni adagio(缓慢而悲伤的乐曲)。我们还测量了享受,唤醒和心情。跟随音乐,在空间任务上的表现要比沉默条件要好,但仅适用于听过莫扎特的参与者。两种音乐选择还引起了对娱乐,唤醒和情绪措施的不同响应。此外,当通过统计手段使这些差异保持恒定时,莫扎特效应消失了。这些发现提供了令人信服的证据,证明莫扎特效应是唤醒和情绪的人工产物。

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