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Projecting Films to Spirits: on shrines as conjunctural space and the ritual economy of outdoor cinema in Bangkok

机译:向精神放映电影:在神社中作为结社空间和曼谷户外电影院的礼节经济

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摘要

This article is concerned with the ritually embedded character of open-air cinema in Thailand. It draws on ethnographic fieldwork in Isaan and Bangkok and interviews with different actors within the ritual economy of open-air cinema at shrines and temples. Outlining different ritual actions through which cinema is sponsored, it then focuses on a particular practice: pledging film screenings to spirits and deities at shrines. Looking at a specific site, a Daoist shrine in suburban Bangkok, it foregrounds the implications of a disjuncture between the personal nature of the spiritual transaction and the public character of its fulfillment. It considers these implications through an analysis of the spatial conjuncture formed when a projector casts its light in a particular setting, which is then appropriated by those customarily excluded by the institution of cinema in its commodity form.
机译:本文关注的是泰国露天电影院的仪式性特征。它借鉴了伊桑(Isaan)和曼谷(Bangkok)的人种志田野工作,并在神社和庙宇的露天电影院的仪式经济中采访了不同的演员。然后概述了赞助电影院的各种仪式活动,然后着重于一种特定的实践:向电影院的神灵和神灵保证放映电影。观察特定的地点,即曼谷郊区的道教神社,它揭示了精神交易的个人性质与其实现的公共性质之间的脱节的含义。它通过分析投影机在特定环境下投射光时形成的空间结合来考虑这些含义,然后由电影院通常以其商品形式排除在外的人采用这些结合。

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  • 作者

    MacDonald, Richard L;

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  • 年度 2017
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  • 原文格式 PDF
  • 正文语种 eng
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