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The Study on the Vocalization of the Ryukyu Classical Music Song - particularly about the Song Music of Nomura Group's 'KUN-KUN-SI' and 'UFU-GAKI'

机译:琉球古典音乐的发声研究-特别是野村集团的“ KUN-KUN-SI”和“ UFU-GAKI”的歌曲音乐

摘要

It is very difficult to sing with the explanation about how to vocalize musics in the KUN-KUN-SI ; a classical music textbook by of Nomura Group, and it's not easy to follow teacher's explanation as well. We analyzed ten teacher's singings, and found out the structure of their voice. With this finding, we now think that it will be more helpful to understand how to vocalize 'SEI-GAKU-FU' and 'UFU-GAKI'.But it is not enough to sing UFU-GAKI, to ten teachers, we asked their opinions and thoughts about 'UFU-GAKI'. Then we got some images and hints about it, it is not only "up and down of frequency". Inside throat, a singer moves his vocal chords and the inter-space complexly. and this vocalization makes voice rich and relish good sounds.This is to report on the structure of UFU-GAKI and some comments.
机译:关于如何在KUN-KUN-SI中发声的解释很难唱歌。野村集团的古典音乐教科书,要听老师讲解也不容易。我们分析了十位老师的歌声,找出了他们声音的结构。有了这个发现,我们现在认为了解如何发声``SEI-GAKU-FU''和``UFU-GAKI''会更有帮助,但是仅仅唱歌给10名老师听UFU-GAKI,我们问他们关于“ UFU-GAKI”的观点和想法。然后我们得到了一些图像和提示,这不仅是“频率的上升和下降”。在喉咙里,一位歌手复杂地移动了他的声带和空间。并且这种发声使声音更丰富,声音更悦耳。这是关于UFU-GAKI的结构和一些评论的报道。

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