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A study on the Expressional Rhythm of Dance Movement : EMG Pattern between Ryukyuan Dance and Indian Dance

机译:舞蹈动作的表达节奏研究:琉球舞蹈与印度舞蹈之间的肌电模式

摘要

The aim of this paper is to compare the EMG patterns in the Ryukyuan traditional dance and the Indian traditional dance. The dance motion of arm and leg muscles were electromyographically examined. The subjects used in the experiment were one professional dancer of Ryukyuan dance and one professional dancer of Indian dance. The subjects performed the same motions in each dances. And EMG recordings were made with 8 channel electroencephalograph utilizing surface electrodes, 10 mm in diameter. The results obtained were summarized as fallows: 1) The discharge pattern of the arm m. varied between two dances. M. Biceps brachii and M.flexor carpi ulnaris were used in Ryukyuan dance, and M. Biceps brachii, M.flexor carpi ulnaris and M. brachioradialis were used in Indian dance. These showed that there were some differencies of screw like moving of wrists and bend moving of fingers in two dances. 2) The discharge pattern of legs m. were very regular in the Ryukyuan dance, and were irregular in the Indian dance.
机译:本文的目的是比较琉球传统舞蹈和印度传统舞蹈的肌电图模式。肌电检查手臂和腿部肌肉的舞蹈动作。实验中使用的对象是琉球舞的一名专业舞者和印度舞的一名专业舞者。受试者在每个舞蹈中都执行相同的动作。并使用直径为10 mm的表面电极通过8通道脑电图仪记录了EMG。获得的结果概括为以下方面:1)臂m的放电方式。在两种舞蹈之间变化。 Ryukyuan舞蹈中使用了肱二头肌和屈肌腕肌,印度舞蹈中使用了肱二头肌,屈肌腕和腕radi肌。这些结果表明,在两次跳舞中,手腕的运动和手指的弯曲运动之间存在一些螺丝差异。 2)腿部的放电模式m。在琉球舞蹈中很正常,在印度舞蹈中很不规律。

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