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In Singing, He Composed a Song.

机译:在唱歌中,他创作了一首歌。

摘要

In Singing, He Composed a Song is a rhizomatic assemblage of texts, voices, and fragments. It uses a collage of prose, lined poetry, photography, a transcribed interview, an epistle, psychiatric records, literary theory fragments, and more to narrate the story of John Stevenson's altercation with the RCMP and subsequent committal to the Psychiatric Ward at the Prince George Regional Hospital. The materials that make up the text are arranged in a rhizomatic network theorized as an assemblage. The rhizome is the polyvalent figure strategically adopted by Gilles Deleuze and Felix Guattari in their A Thousand Plateaus: Capitalism and Schizophrenia. It destabilizes unified, hierarchical relationships and structures. In Singing is an assemblage of enunciations which are fictional and provisional, and whose relationships are multiple and indeterminate. The assemblage enacts the palimpsestic, vertiginous layering of stories that informs John's precise difficulty with providing what his psychologist calls 'a fair account of himself.' --P. ii.
机译:在《唱歌》中,《他谱写一首歌》是文字,声音和片段的根际组合。它使用散文,衬砌诗歌,摄影,转录访谈,书信,精神病学记录,文学理论片段等拼贴画,以叙述约翰·史蒂文森与皇家骑警的alter变以及随后对乔治王子精神病病房的承诺。地区医院。构成文本的材料被安排在根际网络中,理论上是一个集合。根茎是吉尔斯·德勒兹(Gilles Deleuze)和费利克斯·瓜塔里(Felix Guattari)在其《千高原:资本主义和精神分裂症》中战略性采用的多价图形。它破坏了统一的,分层的关系和结构的稳定性。在《唱歌》中,虚构的和临时的,相互之间的关系是多重且不确定的言词组合。这种组合表现出故事的淡淡,层峦叠that的层次感,这为约翰提供他的心理学家所说的“对自己的公正解释”的确切困难提供了信息。 --P。 ii。

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