This research project explores family history, craft materials, and how Aboriginal women create meaning in the making of complex and beautiful functional objects such as Pow-wow regalia and quilts. I reference the history and evolution of regalia, beadwork and Aboriginal quilts as a means of examining hybridity as it relates to material and cultural forms. As part of my methodology, hybridity and authenticity will be discussed in relation to Homi Bhaba, James Clifford and Robert Young. Brian Jungen's use of mass-produced commodities in his work and Faith Ringgold's “story quilts” are examined in the context of my material practice. I examine Lori Blondeau and Sherman Alexie's critical use of humour and pop culture to explore Aboriginal self-identity. Feminist examinations of textile practices are related to quiltmaking and handicrafts. My own experience of motherhood and its impact on my art practice is detailed. Drawing from archival research and oral histories my own family history is threaded throughout the thesis as I recover lost histories and knowledge.
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