首页>
外文OA文献
>The presentation of emotion in the English Gothic novels of the late eighteenth and early nineteenth centuries, with particular reference to Ann Radcliffe's 'Mysteries of Udolpho', M. G. Lewis's 'Monk', Mary Shelley's 'Frankenstein', C. R. Maturin's 'Melmoth the Wanderer', Charlotte Bronte's 'Jane Eyre', and works by the minor Minerva Press novelists Regina Maria Roche and Mary Anne Radcliffe
【2h】
The presentation of emotion in the English Gothic novels of the late eighteenth and early nineteenth centuries, with particular reference to Ann Radcliffe's 'Mysteries of Udolpho', M. G. Lewis's 'Monk', Mary Shelley's 'Frankenstein', C. R. Maturin's 'Melmoth the Wanderer', Charlotte Bronte's 'Jane Eyre', and works by the minor Minerva Press novelists Regina Maria Roche and Mary Anne Radcliffe
展开▼
机译：在十八世纪末和十九世纪初的英国哥特式小说中对情感的表达，特别是对安·拉德克利夫的《乌多福之谜》，MG·刘易斯的《和尚》，玛丽·雪莱的《弗兰肯斯坦》，玛图琳·CR的《流浪者梅尔》，夏洛特·勃朗特（Charlotte Bronte）的“简·艾尔（Jane Eyre）”，以及密涅瓦出版社较小的小说家里贾纳·玛丽亚·罗什（Regina Maria Roche）和玛丽·安妮·拉德克利夫（Mary Anne Radcliffe）的作品
