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Painted fiberglass-reinforced contemporary sculpture: Investigating composite materials, techniques and conservation using a multi-analytical approach

机译:彩绘玻璃纤维增​​强的当代雕塑:使用多种分析方法研究复合材料,技术和保护

摘要

A multi-analytical approach was used to study the constituent materials, manufacturing technique, and state of conservation of a contemporary sculpture. This sculpture, entitled Nuredduna, was created by Aligi Sassu in 1995 and is located in the "Bellariva garden" in Florence (Italy). Fourier transform infrared spectroscopy (FT-IR), optical and electronic microscopy (OM and SEM-EDS), X-ray diffraction (XRD), and portable X-ray fluorescence (XRF) highlighted the multi-layered structure of the statue: fiberglass and an overlay of different layers (gel coat) applied with an unsaturated polyester resin added with aggregate materials and bromine compounds. A top-coat in acrylic black varnish, used as a finish, was also found. The combination of these materials with their different compositions, environmental impact, and even vandalism have negatively affected the state of conservation of Nuredduna, causing the loss of strata in its lower parts (legs and feet).
机译:使用了多种分析方法来研究当代雕塑的构成材料,制造技术和保存状态。这个雕塑名为Nuredduna,由Aligi Sassu于1995年创作,位于佛罗伦萨(意大利)的“贝拉里瓦花园”中。傅里叶变换红外光谱(FT-IR),光学和电子显微镜(OM和SEM-EDS),X射线衍射(XRD)和便携式X射线荧光(XRF)突出了雕像的多层结构:玻璃纤维以及不同层的覆盖层(胶衣),上面涂有不饱和聚酯树脂,并添加了骨料和溴化合物。还发现了丙烯酸黑清漆的面漆,用作面漆。这些材料具有不同的成分,对环境的影响,甚至是破坏性破坏的结合,对Nuredduna的保存状态产生了负面影响,导致其下部(腿和脚)的地层损失。

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