[[abstract]]This paper compares two short stories of good-hearted spinster women. One is "Un Coeur simple" by French writer Gustave Flaubert, and the other is "The Good Anna" by American writer Gertrude Stein. "The Good Anna," one of the three stories in Stein's first book Three Lives, owes its origin partly to Flaubert's "Un Coeur Simple," which is also one of the three stories in a collection called Trois Contes. Both stories are about a female servant who sacrifices herself in working for her mistress and helping her friends. Although the subject is the same, the themes and the ways of presenting the kind women are very different. Flaubert's story celebrates the sacred soul of F�licit�, who is portrayed as a saint-like figure. Stein's character Anna, on the other hand, suggests the author's protest against exploitation through Anna's seemingly authoritative but actually submissive attitude toward the social convention. Moreover, unlike the objective narrative voice in Flaubert's story, Stein deliberately blends the character's language into the total voice of the narration. Therefore, despite the literary debt, Stein rewrites the traditional plot about women's experience by adding the anti-patriarchal element and using innovative narrative language in the portrait of a sacrificial spinster and hence gives the story a new meaning.
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机译：[[摘要]]本文比较了两个善良的斯皮斯特妇女的短篇小说。一个是法国作家古斯塔夫·弗劳伯特（Gustave Flaubert）的“ Un Coeur simple”，另一个是美国作家Gertrude Stein的“好安娜”。斯坦的第一本书《三个人生》中的三个故事之一，《好安娜》，部分归因于弗劳伯特的《 Un Coeur Simple》，这也是一个名为Trois Contes的系列中的三个故事之一。这两个故事都是关于一个女仆人，她为情妇和帮助朋友而牺牲自己。尽管主题是相同的，但表达女性善良的主题和方式却大不相同。 Flaubert的故事庆祝了F·licit的神圣灵魂，他被描绘成圣人。另一方面，斯坦因的性格安娜建议作者通过安娜对社会习俗的看似权威但实际上是顺从的态度来抗议剥削。此外，与弗劳伯特故事中的客观叙事声音不同，斯坦因特将角色的语言融合到叙事的整体声音中。因此，尽管存在文学上的欠债，但斯坦因通过在牺牲的大屠杀肖像中加入反父权制元素并使用创新的叙事语言来重写关于女性经历的传统情节，从而使故事具有新的含义。
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