The goal of this communication is to determine the extent to which the television programming supported the Spanish government image during Late-Francoism. This period symbolically started with the designation of Juan Carlos de Borbón as the natural successor of Franco in 1969, and ended with the death of the dictator. The object of study are the programming lists (the grills), as the primary source. The hypothesis is that the official television message was to show that modernity had come to Spain. The analysis aims to identify what kind of spaces were intended for that purpose. In this period a timid cultural openness begins. The formative spaces were quite limited and the only ones who remained were the programs focused on the divulgation of the Catholic faith. All these elements are no different from other European countries. The only exceptions were the newscasts, which maintained a tight control until the end, when morally controversial themes or criticisms to the Régimen were concerned.
展开▼
机译：此次交流的目的是确定晚法兰西主义时期电视节目在多大程度上支持了西班牙政府的形象。这一时期象征性地始于胡安·卡洛斯·德·博尔班（Juan Carlos deBorbón）在1969年被指定为佛朗哥的自然继任者，并以独裁者的去世结束。研究的对象是编程清单（烤架），作为主要来源。假设是官方电视消息是要表明现代性已经传入西班牙。该分析旨在确定用于该目的的空间类型。在这个时期，怯的文化开放开始了。形成空间非常有限，仅剩下的是那些专注于天主教信仰传播的程序。所有这些要素与其他欧洲国家没有什么不同。唯一的例外是新闻广播，直到有关道德的主题或对Régimen的批评受到关注时，新闻广播一直保持严格控制。
展开▼
