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Archivists and Thespians: A Case Study and Reflections on Context and Authenticity in a Digitization Project

机译:档案保管员和Thespians:数字化项目中的背景和真实性案例研究与反思

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摘要

During a recent digitization project between archivists and theater faculty at Southern Illinois University Carbondale (SIUC), different assumptions and perspectives revealed competing ideas about context and authenticity of primary sources. This article discusses these points of contention by framing them within similar concerns expressed in the archival and humanities literature. It then examines theater literature to understand performance studies research needs and to conceptualize notions of context and authenticity in theater scholarship. The article supports prior assertions that notions of context and authenticity are not absolute but are rooted in the perspectives of different disciplines. It also argues that when collaborating with other disciplines on digital projects, archivists should be considerate of their perspectives, research needs, and intended audiences to create a product that best meets user needs.
机译:在南伊利诺伊大学卡本代尔分校(SIUC)的档案工作者和戏剧系之间的一个数字化项目中,不同的假设和观点揭示了关于主要来源的背景和真实性的相互竞争的想法。本文通过将它们放在档案和人文文献中表达的类似关注之内来讨论这些争论点。然后,它检查戏剧文学,以了解表演研究的研究需求,并概念化戏剧学术背景和真实性的概念。本文支持先前的断言,即上下文和真实性的概念不是绝对的,而是植根于不同学科的观点。它还认为,与数字项目的其他学科合作时,档案管理员应该考虑他们的观点,研究需求和目标受众,以创建最能满足用户需求的产品。

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    Gorzalski Matthew J;

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  • 年度 2016
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