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Emotions, Arousal, and Frontal Alpha Rhythm Asymmetry During Beethoven's 5th Symphony

机译:贝多芬第五交响曲中的情绪,唤起和额叶阿尔法节奏不对称

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摘要

Music is capable of inducing emotional arousal. While previous studies used brief musical excerpts to induce one specific emotion, the current study aimed to identify the physiological correlates of continuous changes in subjective emotional states while listening to a complete music piece. A total of 19 participants listened to the first movement of Ludwig van Beethoven's 5th symphony (duration: ~7.4 min), during which a continuous 76-channel EEG was recorded. In a second session, the subjects evaluated their emotional arousal during the listening. A fast fourier transform was performed and covariance maps of spectral power were computed in association with the subjective arousal ratings. Subjective arousal ratings had good inter-individual correlations. Covariance maps showed a right-frontal suppression of lower alpha-band activity during high arousal. The results indicate that music is a powerful arousal-modulating stimulus. The temporal dynamics of the piece are well suited for sequential analysis, and could be necessary in helping unfold the full emotional power of music.
机译:音乐能够引起情感唤醒。以前的研究使用简短的音乐摘录来诱发一种特定的情感,而当前的研究旨在识别听完整首音乐时主观情感状态不断变化的生理联系。共有19位参与者听了路德维希·范·贝多芬第五交响曲的第一乐章(时长:〜7.4分钟),其间录制了连续的76通道脑电图。在第二部分中,受试者评估了他们在聆听过程中的情绪唤醒。进行了快速傅立叶变换,并与主观唤醒等级相关联地计算了频谱功率的协方差图。主观唤起评分具有良好的个体间相关性。协方差图显示了在高唤醒过程中右前角抑制了较低的α波段活动。结果表明,音乐是一种强大的唤醒调节刺激。作品的时间动态非常适合顺序分析,并且可能有助于发挥音乐的全部情感力量。

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