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Saint Benedict staring at us: Clients as the third party in Modern Art. A theoretical model and a case study in Renaissance Venice

机译：圣本尼迪克特盯着我们：客户是现代艺术中的第三方。威尼斯文艺复兴时期的理论模型和案例研究

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This paper aims at studying the role of clients as third party of the art system in Modern Times. To detect a possible third-party-relationship in art, the epistemological approach draws from art sociology and focusses on the economics of art production, though relying on the case-study-tradition of iconology in order to verify the suitability of the proposed theoretical model. The specific case study refers to the Venetian Renaissance studying the Frari triptych by Giovanni Bellini, painted at the end of the 15th Century and dealing with the religious dispute on the Immaculate Conception of the Madonna.

机译：本文旨在研究客户在现代艺术体系中作为第三方的角色。为了发现艺术中可能存在的第三方关系，认识论方法借鉴了艺术社会学，并着重于艺术生产的经济学，尽管它依赖于肖像学的案例研究传统以验证所提出理论模型的适用性。。具体案例研究是指威尼斯文艺复兴时期研究乔瓦尼·贝里尼（Giovanni Bellini）的Frari三联画，画于15世纪末，处理关于圣母无染原罪的宗教纠纷。

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Mantoan Diego;
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8. Study of the Patient Complaint System at Saint Benedict's Hospital and Nursing Home, San Antonio, Texas. [R] . Cherry, E. B. 1977

机译：德克萨斯州圣安东尼奥圣本笃医院和护理院患者投诉系统的研究。

Saint Benedict staring at us: Clients as the third party in Modern Art. A theoretical model and a case study in Renaissance Venice

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