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Documentary made sustainable: The Bristol bike project, from grassroots workshop to globalised audience

机译:纪录片变得可持续:从基层车间到全球化观众的布里斯托尔自行车项目

摘要

The Worldometers website (http://www.worldometers.info/) is based on a live / real time feed of a range of global statistics : its shocking evidence suggests that we are approaching a perfect storm of peak oil, climate change and a rapidly increasing global population. Yet, looking at the television broadcast schedule of nearly 250 broadcast channels, it seems that the television industry is failing to address any of these issues in a consistent or serious manner. Set against that opening context, this paper looks at my own independent documentary practice that is specifically outside of the broadcast schedule, using The Bristol Bike Project (https://vimeo.com/36598320, including festival and distribution details) as an example of localized independent production that has evolved out of the intersices of documentary practice in Higher Education. ududIt effectively bypasses the broadcast / commissioned route in its treatment of cycling, recycling and political asylum. This short 20 minute film has now been translated into fourteen different languages and has screened at over 40 film festivals around the world including in prestigous venues in London, New York, Madrid, Los Angeles, Vienna and do on. The film has also been used extensively in educational programmes throughout Eastern Europe as well as being viewed in a broad international demographic through the Vimeo online distribution site. The story of the film’s success is very much one of a localized grassroots workshop in Bristol somehow managing to access a truly globalised (and possibly sustainable) audience on a budget of £650.ududI’d like to go on to explore what can be learned from the success of this small film about sustainability, particularly questioning how it engages with the diversity of its audiences, in terms of demographics, production research, narrative construction, storytelling, aesthetics and personal testimony. Crucially, it isn’t a film that tells you what to think, or just presents you with alarming figures and statistics like the worldometers website, but instead creates a narrative text that can be interpreted in a number of different ways. Hopefully, in this way it works as an educational catalyst to open up discourse around the issue of sustainability, forms of civic participation, alternative forms of transport, recycling and the migratory status of political asylum seekers in this country, in a solution based treatment that seems so woefully scarce in the current broadcast schedule.
机译:Worldometers网站(http://www.worldometers.info/)是基于实时/实时的一系列全球统计数据提供的:令人震惊的证据表明,我们正接近石油高峰,气候变化和气候变化的完美风暴。快速增长的全球人口。然而,从近250个广播频道的电视广播时间表来看,电视行业似乎未能以一致或认真的方式解决这些问题。针对这种开放性背景,本文以Bristol Bike Project(https://vimeo.com/36598320,包括节日和发行细节)为例,探讨了我自己的独立纪录片实践,特别是在广播时间表之外。本地化的独立制作,它已经脱离了高等教育的纪录片实践。 ud ud在处理自行车,回收和政治避难方面有效地绕过了广播/委托路线。这部短短20分钟的电影现已被翻译成十四种不同的语言,并已在全球40多个电影节上放映,包括在伦敦,纽约,马德里,洛杉矶,维也纳等地的著名场所。这部影片还被广泛用于整个东欧的教育节目中,并通过Vimeo在线发行网站在广泛的国际人口中被观看。这部电影的成功故事很大程度上是在布里斯托尔举行的本地化基层工作坊之一,以某种方式设法以650英镑的预算吸引了真正全球化的(并且可能是可持续的)观众。 ud ud我想继续探索一下可以从这部关于可持续性的小电影的成功中获悉,特别是从人口统计学,生产研究,叙事结构,讲故事,美学和个人见证等方面质疑它如何与观众的多元化互动。至关重要的是,这不是一部讲述您的想法的电影,也不是像Worldometers网站那样仅仅向您展示令人震惊的数字和统计数据,而是制作了可以用多种不同方式解释的叙事文本。希望通过这种方式,它可以作为一种教育催化剂,以基于解决方案的方式,围绕该国的可持续性,公民参与形式,替代运输方式,回收利用和政治寻求庇护者的迁徙状况,展开讨论。在当前的广播时间表中似乎非常匮乏。

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    Oldham A.;

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  • 年度 2012
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