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Nation and/or Homeland: Identity in 19th-Century Music and Literature between Central and Mediterranean Europe

机译:国家和/或祖国:19世纪中欧和地中海之间音乐和文学中的认同

摘要

The aim of this book is to focus on the development of national awareness elaborated around a series of different case studies, in which the terms nation, homeland and people have been applied. This Romantic lexicon identifies similar but various conceptions of the national idea in some countries dominated by Italian, German and Slavic cultures, and in some groups or minorities such as the Jews and the Vlachs in Central and Mediterranean Europe. In order to clarify the cultural framework, the authors explore the construction of identity through folk tunes, poetry inspired by popular culture, and opera in which the national myths or heroes appear. In the self-making tradition, the national traits are sustained by the process of embodiment of any regional utterance, and also by disregarding the “other”, in particular the minorities. The symbols of the nation, as an achievement of the power that flourishes from the sense of belonging, are defined “per differentiam”. Theoretical perspectives are shaped by the new approaches to this topic, taking into consideration the artistic issues as socio-historical events and subsequently evaluating them in their aesthetic quality.
机译:本书的目的是集中于围绕一系列不同的案例研究阐述的国家意识的发展,在这些案例研究中使用了民族,家园和人民这两个术语。在一些以意大利,德国和斯拉夫文化为主导的国家中,以及在中欧和地中海中的某些犹太人和弗拉赫斯等少数群体或少数群体中,这个浪漫的词典标识了类似但不同的民族思想概念。为了阐明文化框架,作者通过民间音乐,受大众文化启发的诗歌以及出现民族神话或英雄的歌剧来探索身份的建构。在自我创造的传统中,民族特征通过任何地区性话语的体现过程得以维持,并且通过不顾“其他”,特别是少数民族而得以维持。国家的象征是从归属感中发扬光大的力量的成就,被定义为“每个差异”。理论观点是由针对该主题的新方法塑造的,将艺术问题视为社会历史事件,并随后对其美学品质进行了评估。

著录项

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    Cavallini I;

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  • 年度 2012
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  • 原文格式 PDF
  • 正文语种 eng
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