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Balancing the spiritual and physical worlds: Memory, responsibility and survival in the rituals of the Sama Dilaut (Bajau laut) in Sitangkai, Tawi-Tawi, Southern Philippines and Semporna, Sabah, Malaysia

机译:平衡精神世界和物质世界:菲律宾南部塔维塔维塔加西唐凯和马来西亚沙巴仙本那的萨玛·迪劳(Bajau laut)的仪式中的记忆,责任和生存

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摘要

This paper looks at ritual processes as means of fulfilling responsibilities between the dwellers of the physical world and the spirit world among the Bajau Laut. Ritual is, among many other ways, seen as a transactional event that binds individuals of a given community and habitues of the spirit world in a web of memory, notions of responsibility and expression of the primary value of survival and well-being or continued existence via ideas or conceptualizations of "balance." The introductory section talks about the special class among the Sama dilaut as constituted by the igal djin and their position in the Sama cosmos. The first part reviews some key concepts relating ritual to community particularly that of Victor Turner's "social drama" and Maurice Bloch "rebounding violence." It also discusses how rituals, ritual phases and elements may be read as "texts," referring to symbols with meanings. The second part introduces the idea of symbolic elements and symbolic practices, particularly those found rituals as well as in music and dance, that are observable among Sama Dilaut communities in the Southern Philippines and Insular Malaysia, relating this to memory-making, socializationudto the idea of responsibility, and operationalization of "survival." The third part proceeds with a brief description of three rituals, the Magpaii-bahau, Magpa-igal and the Pag-udKanduli, and then respectively followed by a discussion of practice or elements that bring in the idea of "balance." Finally, the fourth part, as a way of tying together theuddiscussion presents implications to future research on ritual, music and dance.
机译:本文将仪式过程视为在Bajau Laut中的物质世界和精神世界的居民之间履行责任的手段。在许多其他方式中,仪式被视为一种交易事件,它通过记忆,责任感和生存,福祉或持续存在的主要价值表达,将给定社区的个体和精神世界的习惯束缚在一起通过“平衡”的想法或概念化。引言部分讨论了由伊加尔·狄金(Igal djin)构成的萨玛·迪劳特(Sama dilaut)中的特殊阶级及其在萨玛宇宙中的地位。第一部分回顾了一些与社区仪式有关的关键概念,特别是维克托·特纳(Victor Turner)的“社会戏剧”和莫里斯·布洛赫(Maurice Bloch)的“反弹暴力”。它还讨论了仪式,仪式阶段和元素如何被理解为“文本”,指代具有含义的符号。第二部分介绍了象征性元素和象征性习俗的概念,尤其是在菲律宾南部和马来西亚岛萨马族的萨玛·迪劳特社区中可以观察到的仪式和音乐舞蹈中发现的那些,并将其与记忆,社会化 udto相关联责任的观念和“生存”的实施。第三部分首先简要介绍三种仪式,即“ Magpaii-bahau”,“ Magpa-igal”和“ Pag- udKanduli”,然后分别讨论引入“平衡”概念的实践或要素。最后,第四部分作为讨论的一种方式,对未来关于仪式,音乐和舞蹈的研究提出了启示。

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    Hussin H.;

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