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Vulgar Modernism: J. M. Richards, Modernism and the Vernacular in British Architecture

机译:粗俗现代主义:J. M. Richards,现代主义和英国建筑中的白话

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摘要

In 1946 J. M. Richards, editor of the Architectural Review (AR) and self-proclaimed champion of modernism, published a book entitled The Castles on the Ground (Fig. 1). This book, written while working for the Ministry of Information (Mol) in Cairo during the war, was a study of British suburban architecture and contained long, romantic descriptions of the suburban house and garden. Richards described the suburb as a place in which ‘everything is in its place’ and where ‘the abruptness, the barbarities of the world are far away’. For this reason The Castles on the Ground is most often remembered as a retreat from pre-war modernism, into nostalgia for mock-Tudor houses and privet hedges. The writer and critic Reyner Banham, who worked with Richards at the AR in the 1950s, described the book as a ‘blank betrayal of everything that Modern Architecture was supposed to stand for’. More recently, however, it has been rediscovered and reassessed for its contribution to mid-twentieth-century debates about the relationship between modern architects and the British public. These reassessments get closer to Richards’s original aim for the book. He was not concerned with the style of suburban architecture for its own sake, but with the question of why the style was so popular and what it meant for the role of modern architects in Britain and their relationship to the ‘man in the street’.udJessica Kelly is Lecturer in Context and Theory of Design at the University for the Creative Arts. She studied Design History at the Royal College of Art and Victoria and Albert Museum, with a dissertation on interwar hospital architecture in Britain and went on to complete her PhD at Middlesex University on the career of J. M. Richards as editor of the Architectural Review. She has also taught at London Metropolitan University, the University of Hertfordshire and London South Bank University. She has written for the Architectural Review and is currently contributing to the Bloomsbury Encyclopedia of Design on the subjects of ‘Design Dissemination’ and ‘Design in Britain’.
机译:1946年,J. M. Richards,建筑评论编辑(AR)和现代主义的自称冠军,发表了一本名为地面城堡的书(图1)。这本书在战争期间在开罗信息部(Mol)工作时,是英国郊区建筑的研究,占郊区房屋和花园的长期浪漫描述。理查兹将郊区描述为“一切都在其地方”以及世界突然,世界禁止的地方遥远的地方。出于这个原因,地面上的城堡最经常被记住为从战前现代主义的撤退,进入嘲弄铎王家和Privet Hedges的怀旧。在20世纪50年代在AR的Richards工作的作家和评论家Banham将这本书描述为“现代建筑所支持的所有内容的空白背叛”。然而,最近,它已经重新发现并重新评估其对二十世纪中期辩论的贡献,了解现代建筑师与英国公众之间的关系。这些重新评估更接近理查兹的原始目标。他并不担心郊区架构的风格为自己的缘故,但有了为什么风格如此受欢迎的问题,这是它在英国的现代建筑和他们与街上人的关系的角色。 udjessica kelly是在大学创意艺术大学设计和设计理论的讲师。她在皇家艺术和维多利亚州和阿尔伯特博物馆学习了设计史,在英国的白际医院建筑上论文,并继续在米德尔斯大学毕业于J. M. Richards的职业,担任建筑评论的编辑。她还在伦敦大都会大学,赫特福德郡大学和伦敦南岸大学教授。她为建筑评论编写,目前正在为“设计传播”和“英国”设计“和”设计“的主题的设计百科全书有贡献。

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