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Reflections of natural polyphony in turkish folk music to musical education

机译:土耳其民间音乐对音乐教育的自然复数的思考

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摘要

This study is a descriptive study and aimed to determine the structure of natural polyphony existing in Turkish Folk Music and the process after the Republic when an effort was devoted consciously to polyphony and its use in musical education. Polyphony in TFM can be seen densely in folk instruments. In this respect, it can be stated that there is a need for a secondary instrument (“polyphony”) to accompany with those played by folks. There is an understanding of accompanying in most folk instruments. However, polyphonic structures existent in Turkish Folk Music are spontaneous (“self-induced”) elements and therefore they are at basic level. After the foundation of Turkish Republic, Turkish Folk Music was evaluated differently by several musicians in polyphonic approaches. Today, such a branch called polyphonic Turkish Music was developed by composers and researchers and attained its place in musical education.
机译:本研究是一个描述性的研究,旨在确定土耳其民间音乐中存在的天然多重结构的结构,以及共和国之后的过程,当努力有意识地致力于复合和在音乐教育中使用。 TFM中的多骨可以密集地看到民间仪器。在这方面,可以说,需要一种辅助仪器(“多骨”)与被人物所扮演的那些。在大多数民间仪器中都有一种陪同。然而,土耳其民间音乐中存在的复音结构是自发的(“自我诱导的”)元素,因此它们处于基本水平。在土耳其共和国的基础之后,土耳其民间音乐被多关音乐家评估了不同的音乐家。如今,由作曲家和研究人员开发了这样一个名为Polyphonic Turkish音乐的分支,并达到了音乐教育的位置。

著录项

  • 作者

    Gokalp Parasiz; Ozan Gulum;

  • 作者单位
  • 年度 2018
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  • 原文格式 PDF
  • 正文语种 eng;tur
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