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Important works for drum set as a multiple percussion instrument

机译:硒鼓设置为多次打击乐器的重要作品

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摘要

The drum set is an evolving instrument and performance concept that for much of its existence has been relegated to a supporting role for an ensemble or soloist in varied mediums, rather than being used, as is well suited for, in a soloistic capacity. Drum set had rather humble beginnings and was often a collection of percussion instruments used only for time-keeping and adding color to the music. However, over time, a considerable amount of solo literature has been composed for drum set and there now exists a substantial repertoire for the varied forms of the instrument. Support for the literature and art form has come from numerous well known composers ranging from John Cage to Stuart Saunders Smith and Frank Zappa. Unfortunately, resistance to performing these solo works comes from a broad-based teaching philosophy that emphasizes teaching rudimental, time-keeping, and stylistic performance practices. In this particular paradigm, soloing is important strictly as improvisation grounded in a thorough understanding of the development of the language of Jazz, rather than as a performance concept. Although this repertoire does include works that address these pedagogical concerns, it also includes some works that present the drum set in more virtuosic solo setting. These compositions offer the performer musical opportunities much like those found in solo works for snare drum, keyboard percussion, timpani, and multiple percussion. While a performer may face an initial challenge in finding quality existing works, he or she can then develop synergy between the interpretive skills developed for orchestral style percussion In this study, the author will examine the body of literature composed for unaccompanied solo drum set. Specific compositions will be identified for their significance in promoting personal growth as a drum set artist. In support of this goal, analysis of the performance practice used in these particular works will be developed. To aid in better organizing the body of literature, the author will categorize
机译:鼓组是一种不断变化的仪器和性能概念,其在其大部分存在于各种介质中的集合或独奏者的支持作用中,而不是在唯一的容量中使用。鼓套装具有相当谦逊的开始,并且通常是仅用于时间保留和向音乐添加颜色的打击乐器的集合。然而,随着时间的推移,相当大量的独奏文献已经为鼓组组成,现在存在一定的仪器形式的大量曲目。对文学和艺术形式的支持来自许多着名的作曲家,从John Cage到Stuart Saunders Smith和Frank Zappa。不幸的是,对执行这些独奏作品的抵抗来自基于广泛的教学哲学,强调教学,持续的,持续的,传感器的性能实践。在这种特殊的范式中,独奏是严格的重要,因为即兴创新在彻底了解爵士语言的发展,而不是表现概念。虽然此曲目确实包括解决这些教学问题的作品,但它还包括一些作品,这些作品呈现在更加真人独奏环境中的鼓组。这些组合物提供了表演者音乐机会,就像在Snare鼓,键盘打击乐器,蒂姆潘尼和多次打击乐中发现的那些。虽然表演者可能在寻找质量现有作品方面面临着初步挑战,但他或她可以在本研究中为管弦乐风格打击乐的解释技能之间发展协同作用,作者将研究为无人陪伴的独奏鼓组组成的文献体。将确定特定的组合物,以促进促进个人生长作为鼓套装的重要性。为了支持这一目标,将开发对这些特定工​​程中使用的性能实践的分析。为了帮助更好地组织文学的身体,提交人将分类

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    Kevin Arthur Nichols;

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