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#039;The un-limiting conditions#039;: An investigation into the roles of intuitive and rational thought in the construction of abstract painting.

机译:'不受限制的条件':直觉和理性思想在抽象绘画建构中的作用研究。

摘要

“ 'The un-limiting conditions': An investigation into the roles of intuitive and rational thought in the construction of abstract painting” (2007) is a practice-based research project. By creating artworks that examine issues in contemporary abstract painting and applying intuitive and rational thought in their construction using both traditional means and painting and site, the research demonstrates how an awareness and sensitive manipulation of materials, process, context, can generate feeling and concept. “The making of artwork is akin to a journey of discovery. It is not a linear trajectory, but rather can be a confluence of rather haphazard events. It is sometimes logical and sequential, and at other points the relationships are accidental, tangential and tenuous. It is a process of complexity and multiplicity.” [i] The supporting exegesis locates the research amid current international art practice with a focus upon contemporary New York abstraction. ________________________________________________________________________________ [i] p.1 Kingston, Robin. “ 'The un-limiting conditions': An investigation into the roles of intuitive and rational thought in the construction of abstract painting” (2007)
机译:“'无限的条件':对直觉和理性思维在抽象绘画构建中的作用的调查”(2007年)是一项基于实践的研究项目。通过创作对当代抽象绘画中的问题进行研究的艺术品,并使用传统的手段以及绘画和地点,在建筑中运用直觉和理性的思想,该研究证明了对材料,过程,环境的认识和敏感操纵如何能够产生感觉和概念。 “艺术品的制作类似于发现之旅。它不是线性轨迹,而可能是相当偶然事件的汇合。它有时是逻辑和顺序的,而在其他点上,关系是偶然的,切线的和微弱的。这是一个复杂而多样的过程。” [i]辅助释经将研究定位在当前的国际艺术实践中,重点放在当代纽约的抽象上。 ________________________________________________________________________________ [i]第1页,罗宾。 “'无限的条件':直觉和理性的思想在抽象绘画的建构中的作用研究”(2007)

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    Kingston R;

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