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Culturally-biased voting in the Eurovision Song Contest: do national contests differ?

机译:欧洲歌唱大赛中具有文化偏见的投票:全国比赛是否有所不同?

摘要

The economic literature on the Eurovision Song Contest (ESC) establishes empirical evidence for culturally-biased voting, more precisely also biases based on geographical closeness, political relations, ethnical and linguistic affinity. The Bundesvision Song Contest (BSC), a similar contest with principally the same rules but organized on the national level in Germany, offers a unique opportunity to compare international voting bias patterns to national voting bias patterns. Thus, this paper presents an innovative analysis by comparatively analyzing the ESC´s historical data from 1998 to 2013 and the BSC´s data from its beginning in 2005 until 2013 with the same econometric methodology. Our results show that voting biases do not only matter in international contests but also occur in similarly-organized national contests with roughly similar magnitude and quality – despite the cultural background of participants and voters being much more homogenous.
机译:欧洲电视网歌曲大赛(ESC)的经济文献为文化偏向的投票建立了经验证据,更确切地说,也是基于地理亲密性,政治关系,种族和语言亲和力的偏见。 Bundesvision Song Contest(BSC)是一项类似的竞赛,其规则基本相同,但在德国全国范围内组织,为将国际投票偏向模式与国家投票偏向模式进行比较提供了独特的机会。因此,本文采用相同的计量经济学方法,通过比较分析ESC的1998年至2013年的历史数据和BSC的2005年至2013年的BSC数据,提出了一种创新的分析方法。我们的结果表明,尽管参加者和选民的文化背景更加相似,但投票偏向不仅在国际比赛中很重要,而且在规模和质量大致相似的类似组织的国家比赛中也会发生。

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