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The just figure : shape, harmony and proportion in a selection of Andrew Marvell's lyrics

机译:公正的人物:安德鲁·马维尔(Andrew Marvell)的歌词中的形状,和谐与比例

摘要

The phrase "the just Figure" - a quotation from Upon Appleton House - is the central theme of this thesis as it aptly describes Marvell's repeated use of shape, harmony and proportion to suggest morality and virtue. The poet's concern with geometrical imagery is conveyed by the word "figure", which also is another term for a metaphor or conceit. The word "just" suggests not only moral appropriateness, but also mathematical exactness or fit.The thesis consists of five chapters, each dealing with an aspect of the imagery of shape and form which pervades so many of Marvell's lyrics. The first chapter, "Moral Geometry", deals with the way in which Marvell uses the imagery of lines, angles and curves. In some poems the lines are curved, as in Upon the Hill and Grove at Bill-borrow, where the graceful downward curved line of the hill conveys Fairfacian humility. Symmetry and circularity are discussed in the second chapter. The poet uses the perfect shape of the circle to depict objects which convey a moral significance. Similarly, several of the lyrics are themselves quasi-circular with their closing lines echoing their openings. Chapter Three deals with liquid spheres. Marvell explores the nature, shape and texture of tears inpoems such as Eyes and Tears and Mourning; and in On a Drop of Dew uses the shape of the dew drop to suggest the perfection of the heavenly realm from which it has been parted. In several of the lyrics, Marvell places a frame around his poems to create an enclosed world in which his poetic creations exist. These enclosed, or framed, worlds are discussed in Chapter Four. The final chapter, "Beyond The Frame", describes how some of the lyrics suggest amove from the world within to the world beyond the frame of the poem.This can either be a movement from confinement to release, or from the seen world to worlds unseen. Shape, harmony and proportion are the qualities which Marvell usesto convey morality and humility and a vision of the world based on what is, in the various senses of the word, "just".
机译:这篇论文的中心主题是“公正的人物”一词(引自阿普尔顿故居),因为它恰当地描述了Marvell反复使用形状,和谐和比例来暗示道德和美德。诗人对几何意象的关注通过“图”一词表达,这也是隐喻或自负的另一个术语。 “正义”一词不仅暗示了道德上的适当性,而且还暗示了数学上的正确性或适合性。论文由五章组成,每章涉及形状和形式意象的一个方面,这些现象充斥了Marvell的许多歌词。第一章“道德几何”介绍了Marvell使用直线,角度和曲线图像的方式。在某些诗歌中,线条是弯曲的,例如Bill-borrow的《小山上的树林》和《格罗夫》,山上优美的向下弯曲的线条传达了费尔法奇的谦卑。第二章讨论对称性和圆度。诗人用圆的完美形状描绘出传达道德意义的对象。类似地,一些歌词本身是准圆形的,其闭合线与开口相呼应。第三章讨论液体球。 Marvell探索眼泪和眼泪和哀悼等泪泪的性质,形状和质地。在《露珠论》中,使用露珠的形状来暗示与之分离的天堂的完美。在几首歌词中,Marvell在他的诗歌周围放置了一个框架,以创建一个封闭的世界,其中存在着他的诗歌创作。第四章讨论了这些封闭的或框架的世界。最后一章,“超越框架”,描述了一些歌词是如何从诗歌的框架内移出世界的。这可以是从拘束到释放的运动,也可以是从看见的世界到世界的运动。看不见。形状,和谐和比例是Marvell用来表达道德和谦卑以及基于对世界的理解的品质,在各种意义上,“正义”。

著录项

  • 作者

    Gardner Corinna;

  • 作者单位
  • 年度 1995
  • 总页数
  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
  • 中图分类

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