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序破急 Jo-Ha-Kyu: enticement - crux - consolidation. From study to learning: Process drama projects in the Japanese English language university classroom

机译:序破急Jo-Ha-Kyu:诱惑-症结-巩固。从学习到学习:在日语大学教室中处理戏剧项目

摘要

This dissertation investigates how social issues can be explored through process drama projects in the Japanese university English as a Foreign Language classroom context. The trajectory of this dissertation moves along a traditional Noh three part macro-continuum, called Jo-Ha-Kyu, interpreted as enticement, crux and consolidation. Within these three parts, there are six further divisions. Part I consists of three sections: Section I, the introduction, sets the backdrop for the entire dissertation, that of Japan, and aims to draw the reader into its culturally unique and specific world. This section outlines the rationale for placing the ethnographer at the centre of the research, and presents Japan through the eyes of the writer. Section II outlines relevant Japanese cultural norms, mores and values, the English educational landscape of Japan and an overview of theatre in Japan and its possible influences on the Japanese university student today. Section III provides three literature reviews: second language acquisition, drama in education to process drama, and Content Language Integrated Learning. In Part 2, Sections IV and V respectively consist of the research methodology and the action research at the core of this dissertation. Section IV describes the case of Kwansei Gakuin University, then explains the design of the process drama curricula. Section V details the three-process drama projects based around the three social issues at the centre of this dissertation. There is also a description of an extra project that of the guest lecturer project. The ultimate goals of all four projects were to change motivation through English in a CLIL context, to develop linguistic spontaneity and to deepen emotional engagement with the themes. Part 3 serves to reflect upon the viability of using process drama in the Japanese university curriculum, and to critically self-reflect on the project as a whole.
机译:本文研究了如何通过在日本大学英语作为外语课堂环境下的过程戏剧项目来探讨社会问题。本文的轨迹沿着传统的能乐三部分宏连续体(称为Jo-Ha-Kyu)运动,被解释为诱惑,症结和巩固。在这三个部分中,还有六个细分。第一部分包括三个部分:第一部分,引言,为整个论文(日本)奠定了背景,旨在吸引读者进入其独特的文化世界。本节概述了将民族志学家置于研究中心的理由,并通过作者的眼光介绍了日本。第二部分概述了日本相关的文化规范,习俗和价值观,日本的英语教育概况以及日本戏剧的概况及其对当今日本大学生的可能影响。第三部分提供了三篇文献综述:第二语言习得,处理戏剧的教育戏剧和内容语言综合学习。在第二部分中,第四节和第五节分别由研究方法和行动研究组成。第四节介绍了关西学院大学的情况,然后解释了过程戏剧课程的设计。第五节详细介绍了围绕三个社会问题的三阶段戏剧项目。还介绍了客座讲师项目的其他项目。这四个项目的最终目标是在CLIL语境下通过英语改变动机,发展语言自发性并加深与主题的情感互动。第3部分旨在反思在日本大学课程中使用过程戏剧的可行性,并批判性地反思整个项目。

著录项

  • 作者

    Donnery Eucharia Nora Mary;

  • 作者单位
  • 年度 2013
  • 总页数
  • 原文格式 PDF
  • 正文语种 en
  • 中图分类
  • 入库时间 2022-08-20 20:17:16

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