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Citizens of the Cosmos? How the limitations of Kwame Appiah and the Marvel Cinematic Universe contribute to a reimagining of partial cosmopolitanism

机译:宇宙的公民?夸梅·阿皮亚(Kwame Appiah)和漫威电影世界(Marvel Cinematic Universe)的局限性如何有助于重新构想部分世界主义

摘要

This thesis explores the competing models of partial cosmopolitanism suggested by Kwame Appiah and the Marvel Cinematic Universe. This exploration is undertaken as a response to a larger concern with the place of difference within a shared humanity. To do this, this thesis examines first the history and the influences of the models of cosmopolitanism that Appiah and the Marvel Cinematic Universe suggest; it then completes a thematic analysis of these models, before comparing and contrasting the two models in a dialectical approach. The models are also located within a broader theoretical context, with a consideration of Marxist / neo-Marxist and popular cultural theory providing background and grounding for this thesis.This thesis argues that the models of partial cosmopolitanism that Appiah and the Marvel Cinematic Universe suggest are, individually, insufficient answers to the question of difference. They suffer from similar limitations, such as an inability to be considered as anything other than theoretical and an inaccessibility to anyone without significant levels of actionable agency. This thesis instead argues that a synthesis of these two models is required. A third model of partial cosmopolitanism is outlined; this model of situational cosmopolitanism combines aspects of Appiah’s ethical cosmopolitanism and the Marvel Cinematic Universe’s reactive cosmopolitanism, and extends this synthesis through the use of Joseph Fletcher’s situation ethics.Situational cosmopolitanism suggests a cosmopolitanism that is context dependent; it also requires the participation of not just those with high levels of actionable agency but those with lower levels as well. It is underpinned by notions of partiality and driven by the desire to lay the foundations for a future that is better – more equal, fair, and just – than today. It is an ongoing aspiration, understanding that there is no cosmopolitan state to be reached, just an ethos to be fostered and encouraged.
机译:本文探讨了Kwame Appiah和Marvel Cinematic Universe提出的部分世界主义的竞争模型。进行此探索是为了回应人们对共同人类内部差异性的更大关注。为此,本文首先考察了阿皮亚和漫威电影宇宙提出的世界主义模式的历史和影响。然后,在以辩证法比较和对比这两个模型之前,完成对这些模型的主题分析。这些模型也位于更广阔的理论背景下,并考虑了马克思主义/新马克思主义和大众文化理论,为本文提供了背景和基础。本文认为,阿皮亚和漫威电影宇宙提出的部分世界主义模型是,分别,差异问题的答案不足。他们遭受类似的局限性,例如不能被认为是理论以外的任何事物,并且对于没有足够水平的可采取行动的代理人也无法进入。该论文反而认为这两个模型需要综合。概述了部分世界主义的第三种模式。这种情境世界主义模型结合了阿皮亚伦理世界主义和漫威电影宇宙的反应性世界主义,并通过使用约瑟夫·弗莱彻的情境伦理学扩展了这一综合。它还不仅需要具有高水平可采取行动的代理人的参与,而且还需要具有较低水平的代理人的参与。它以偏见的概念为基础,并渴望为比今天更好(更平等,更公平,更公正)的未来打基础。这是一个持续不断的愿望,认识到没有一个国际大国可以实现,只有一种精神可以培养和鼓励。

著录项

  • 作者

    Claridge Leon;

  • 作者单位
  • 年度 2016
  • 总页数
  • 原文格式 PDF
  • 正文语种 English
  • 中图分类
  • 入库时间 2022-08-20 20:17:13

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