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Jizz and the joy of pattern recognition:virtuosity, discipline and the agency of insight in UK naturalists’ arts of seeing

机译:爵士乐与模式识别的喜悦:英国博物学家的视觉艺术中的技巧,纪律和洞察力

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摘要

Approaches to visual skilling from anthropology and STS have tended to highlight the forces of discipline and control in understanding how shared visual accounts of the world are created in the face of potential differences brought about by multi-sensorial perception. Drawing upon a range of observational and interview material from an immersion in naturalist training and biological recording activities between 2003 and 2009, I focus upon jizz, a distinct form of gestalt perception much coveted by naturalist communities in the UK. Jizz is described as a tacit and embodied way of seeing that instantaneously reveals the identity of a species, relying upon but simultaneously suspending the arduous and meticulous study of an organism’s diagnostic characteristics. I explore the potential and limitations of jizz to allow for both visual precision and an enchanted and varied form of encounter with nature. In so doing, I explore how the specific characteristics of wild, intangible and irreverent virtuoso performance work closely together with disciplining taxonomic standards. As such, discipline and irreverence work together, are mutually enabling, and allow for an accommodation rather than a segregation of potential difference brought about by perceptual variety.
机译:人类学和STS的视觉技能方法倾向于强调纪律和控制的力量,以了解面对多感官感知带来的潜在差异时,如何创建世界共享的视觉帐户。我从2003年至2009年期间参与自然主义者的培训和生物记录活动中汲取了一系列观察和访谈材料,我关注的是jizz,这是一种独特的格式塔感知形式,在英国,自然主义者十分垂涎。吉兹(Jizz)被描述为一种隐含的,体现性的方式,可以立即揭示一种物种的身份,但依赖但同时中止了对生物诊断特征的艰巨而细致的研究。我探索了爵士乐的潜力和局限性,以实现视觉精确度以及与大自然相遇的迷人形式。在此过程中,我探索了野生,无形和无礼的演奏家的特定特征如何与严格的分类标准一起工作。因此,纪律和无理会共同起作用,相互促进,并允许调和而不是隔离感知多样性带来的潜在差异。

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    Ellis Rebecca;

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  • 年度 2011
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  • 原文格式 PDF
  • 正文语种 {"code":"en","name":"English","id":9}
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