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Analysis of literature texts in Ljubljana puppet theatre almanac (1948-2008) and Sapramiška projectudud

机译:卢布尔雅那木偶剧院年鉴(1948-2008年)和Sapramiška项目 ud的文献资料分析 ud

摘要

The thesis deals with the analysis of Ljubljana puppet theatre almanac, and presents a modern model of literature teaching through an innovative project approach.udThe theoretical part presents Ljubljana puppet theatre (Lutkovno gledališče Ljubljana - LGL) as a central institution for young people that cares about its mission - implementation of the tasks enshrined in the founding act. While it promotes children’s literature and develops the culture of reading it makes sense to include it in school space. Our main theoretical background is the theory of reception aesthetics and the fact that Slovenian literature teaching is based on communications. Furthermore, a theoretical framework for literature teaching through project work is presented.udIn the empirical part three separate studies were conducted, which are from a methodological point of view quite different, but are heavily interlinked with modern communication based approach of literature classes. The first study focuses on statistical analysis of the LGL historical puppet shows (ranging from 1948 to 2008) with two main goals – to research the actual fulfilment of the institutions mission and to identify the most successful puppet shows which are later compared to the teaching curriculum for Slovene language (Učni načrt za slovenščino 2011). In the second study the analysis of three literature texts, upon which the most frequently staged puppet shows were based, was performed. The analysed texts: Sapramiška (first staged 1986, 1752 repetitions), Zvezdica Zaspanka (first staged in 1955, 775 repetitions) and Žogica Marogica (first staged in 1951, 1371 repetitions) analysed in light of representations in various media and through the approaches within theory of aesthetics. The third study shows a practical implementation of teaching strategy through project approach for the Sapramiška literature text.udThe research demonstrated that LGL fulfils its mission of caring for homemade creativity with the staging of the Slovenian literary authors (poets, writers and playwrights) and other Slovenian authors. According to done research Slovene author Svetlana Makarovič clearly stands out with 19 staged literary texts of which 9 belongs to the top quarter of most successful performances: Sapramiška, Tacamuca, Korenčkov palček, Medena pravljica, Veveriček posebne sorte, Kuna Kunigunda, Sovica Oka, Spet Kosovirji and Pekarna Mišmaš. Other successful plays that are worth mentioning were based on the following literature texts: Jurčič's Kozlovska sodba v Višnji Gori, Göthe's Faust, Levstik's Kdo je napravil Vidku srajčico, Krlić's Jajce, Simončič's Veliki Kikiriki, MacDonald's Mali bober in odmev, Tolstoy's Lalanit, Nickl's Zgodba o dobrem volku in Pavček's Juri Muri v Afriki.udThe conducted literature analysis of three most successful plays shows on one hand a surplus of literary works Sapramiška and Zvezdica zaspanka, but on the other hand the Žogica Marogica work does not stand out in any of the analysed literal categories and is therefore a surprise in point of its numerous repetitions.udThe literal project Sapramiška proved the effectiveness of the project oriented teaching approach by involving more pupils in active cooperation and by better achieving the objectives defined in the teaching curriculum for Slovene language (Učni načrt za slovenščino 2011). We demonstrated that the presented model combines modern methods derived through innovative project approach and as such serves as an important contribution to contemporary teaching of literature.ud
机译:论文分析了卢布尔雅那木偶剧院年历,并通过创新的项目方法提出了一种现代的文学教学模式。 ud理论部分将卢布尔雅那木偶剧院(LutkovnogledališčeLjubljana-LGL)视为关注年轻人的中央机构。关于其任务-执行创始法案中规定的任务。它在促进儿童文学并发展阅读文化的同时,将其纳入学校空间是有意义的。我们的主要理论背景是接受美学理论,以及斯洛文尼亚文学教学基于传播这一事实。此外,本文还提出了通过项目工作进行文学教学的理论框架。 ud在实证部分进行了三项单独的研究,从方法论的角度来看,这些研究大相径庭,但它们与基于现代传播的文学课教学方法紧密相关。第一项研究侧重于对LGL历史木偶戏(1948年至2008年)的统计分析,其主要目标有两个–研究机构任务的实际履行情况,并确定最成功的木偶戏,然后将其与教学课程进行比较斯洛文尼亚语(2011年乌克兰语版)。在第二项研究中,分析了三篇文献资料,其中最频繁地上演了木偶戏。分析文本:Sapramiška(1986年首次重复,1752次重复),Zvezdica Zaspanka(1955年第一次重复,775次重复)和ŽogicaMarogica(1951年第一次重复,1371次重复)是根据各种媒体的表现形式和内部方法分析的美学理论。第三项研究显示了通过Sapramiška文学作品的项目方法进行教学策略的实际实施。 ud研究表明,LGL通过斯洛文尼亚文学作家(诗人,作家和剧作家)和其他作家的表演完成了照顾自制创造力的使命。斯洛文尼亚作家。根据已完成的研究,斯洛文尼亚的作家斯韦特兰娜·马卡罗维奇(SvetlanaMakarovič)明显地脱颖而出,登载了19部分阶段的文学作品,其中9部属于最成功的演出的前四分之一:萨普拉米什卡,塔卡卡穆卡,科伦奇科夫·帕尔切克,梅德纳·普拉维卡,韦韦里奇克·波塞布涅,库纳·库尼贡达,索维卡·奥卡,斯佩特Kosovirji和PekarnaMišmaš。其他值得一提的成功戏剧是基于以下文献资料:于尔奇奇的科兹洛夫斯卡·索德巴诉维斯吉·戈里,哥德的浮士德,列夫斯蒂克的科多·杰·纳普拉维德·维德拉·库拉奇科,克里奇的贾伊斯,西蒙·奇克斯的尼基·博尼戈斯,麦克唐纳·唐纳德 ud对三个最成功的剧本进行的文献分析显示,一方面文学作品Sapramiška和Zvezdica zaspanka过剩,但另一方面,ŽogicaMarogica作品在任何一个方面都没有脱颖而出。 ud文字项目Sapramiška通过让更多学生积极参与合作并更好地实现斯洛文尼亚教学课程中定义的目标,证明了面向项目的教学方法的有效性。语言(Učninačrtzaslovenščino2011)。我们证明了所提出的模型结合了通过创新项目方法得出的现代方法,因此对当代文学教学做出了重要贡献。 ud

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    Samida Simona;

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