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Puppet plays and drama plays in the hundred languages of the child

机译:用儿童的一百种语言制作的木偶戏和戏剧剧

摘要

The article presents puppet/drama plays in the kindergarten, deriving from the principlesudof the creative theatre education, kindergarten curricula and symbolic play. Theudmentioned theoretical starting points of the children's theatre are linked to the Reggioudeducational approach perceiving the puppet of all things to be a powerful means ofudsocialization and identity development. The theatrical means of expression are a medium to get to know the world, to link the contents, to reach the objectives of theudcurricula and apart from that the child's emotional and social development is affected.udThe main purpose of the creative theatre education is to foster personal development ofudthe actors and to educate them at the same time to monitor and understand the art of theudtheatre. The Reggio educational approach emphasizes the hundred languages of a childudwith which he can express himself, therefore the theatre can excellently be included inudthis concept due to various non-verbal means of expression. The process in which theseudtheatrical activities are pursued is important for the educator, who encourages creativity,udindependence and investigating in the child following the model of his symbolic play.udFor this reason documenting, that plays an important role in the Reggio approach, i.e.udmonitoring the development of the theatrical project and the child's development by audvideo camera and photos, is of great importance.
机译:本文从创意戏剧教育,幼儿园课程和象征性游戏的原理 udp中介绍了木偶/戏剧在幼儿园的表演。儿童剧院的上述理论出发点与雷吉欧的教育方法有关,后者认为万物的up是人类社会化和身份发展的有力手段。戏剧的表达方式是了解世界,联系内容,达到教学目的的一种媒介,而且会影响孩子的情感和社会发展。 ud创造性戏剧教育的主要目的是为了促进演员的个人发展并同时对其进行教育,以监督和理解剧院的艺术。雷焦的教育方法强调儿童可以表达自己的一百种语言,因此由于各种非语言表达方式,戏剧可以很好地包含在这个概念中。从事这些戏剧活动的过程对于教育者来说很重要,后者鼓励孩子按照其象征性玩耍的模式对孩子进行创造力,对孩子的独立性和研究。 ud由于这个原因,文献记录在雷焦方法中起着重要作用,即通过摄像机和照片监控戏剧项目的发展以及孩子的发育,这一点非常重要。

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    Korošec Helena;

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  • 年度 2009
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