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Experimental typography in art class in high school

机译:高中美术课上的实验排版

摘要

Typography is a visual component, which we classify into the field of graphic design. It deals with the design of letters, fonts, and texts. Typographic design as an art has developed with Guttenberg’s invention of the press with movable type in the second part of the 15th century. It was based on the rules of calligraphic traditions but it was adapted to the technology of the press and it formed its own set of rules. The 19th century brought about the flourishment of so-called experimental typography, with the help of which fonts were designed in a freer manner for various designer purposes in interaction with the environment they were emerging from (i.e. advertisement posters, circus shows…). Experimental typography is a field of design in which a creative development of designer abilities and a productive visual art is possible. In this master’s thesis, we have researched the use of experimental typography in arts classes in high school. In the theoretical part, we researched the problems pertaining to designing experimental typography and the effects experimental typography has in our everyday lives based on the available literature. An action research has been conducted in the 3rd year of a technical high school in the empiric part of the thesis. With it, we were determining how pupils develop their relation to graphic design and their own artistic creativity with the help of experimental typography. We observed the similarities and differences between the understanding of the pupils before and after introducing the changes. The actions steps were based on an innovative explanation of important guidelines for quality graphic design. After the introduction of the action steps the pupils found quality solutions to the given arts problem in the field of experimental typography. In doing so, they also developed and enriched their imagination, arts thinking, and improved their observational and sensory skills.
机译:印刷术是视觉组件,我们将其分类为图形设计领域。它处理字母,字体和文本的设计。在15世纪下半叶,古腾堡(Guttenberg)发明了可移动式印刷机,从而将印刷术作为一种艺术发展起来。它以书法传统规则为基础,但已适应新闻技术,并形成了自己的一套规则。 19世纪带来了所谓的实验性排版的兴盛,借助这些字体,字体可以自由地设计用于各种设计者的目的,并与它们所处的环境(例如广告海报,马戏团表演……)互动。实验性印刷术是设计领域,在其中设计者能力的创造性发展和富有成效的视觉艺术成为可能。在本硕士论文中,我们研究了高中美术课中实验排版的使用。在理论部分,我们根据现有文献研究了与设计实验排版有关的问题以及实验排版在日常生活中的影响。在论文重点部分的一所技术高中三年级进行了一项行动研究。借助它,我们正在确定学生如何借助实验性版式来发展与平面设计的关系以及他们自己的艺术创造力。我们观察了引入变化前后的学生理解之间的异同。行动步骤基于对高质量图形设计重要准则的创新解释。在采取了行动步骤之后,学生们发现了实验排版领域中给定艺术问题的优质解决方案。通过这样做,他们还发展和丰富了他们的想象力,艺术思维,并提高了他们的观察和感觉技能。

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    Pogačnik Tadeja;

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