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Use of dance elements in dance theater by students of pre-school education

机译:学前教育学生在舞蹈剧院中使用舞蹈元素

摘要

Educators in Slovenian nurseries plan their work in accordance with valid Curriculum for nurseries. In it different experts, based on detailed and extensive analyses on development of a child and his learning and with basic goal of optimal development, have positioned process-developmental goals on 6 curricular fields: language, mathematics, exercise, nature, society and art. Strict separation amongst them does not make sense, because connecting small parts of the content makes it more understandable and more useful knowledge. Because of the specifics of development of a preschool child, interdisciplinary connecting is therefore even more reasonable and/or even urgent. Ways of simultaneous dealing of different curricular fields are different. One of the possibilities is the use of dance, which falls in with the field of arts.ududThe field of art is made from different activities: art and design, musical and audio-video, drama and dance. In the dance activities we place playful games, folk dances, dance theaters and viewing of dance shows and staging different kinds of rituals, characters, emotions, nature and occupation through a creative movement. Prerequisite for planning for educational work is the knowledge of different activities for dance expression. In a master’s thesis I therefore introduce dance expression in nursery. Namely I focus on what is dance, how does it affect human body in a whole, how it is the best way to plan for it and what to look out for. Through the understanding of a locomotor development, I place the creative movement as an effective method of work in a nursery and school. I introduce possible planning of interdisciplinary connecting to activity of dance creation with concrete examples of dance stimulations.ududIn determining the role of the educator with the choice of the way of working with children and his/her autonomy, I am looking into the meaning of subjective theories. I believe these theories have a profound influence at the guidance of the pedagogic work. Because they are developing longer and affect the studies, I wish to find out how many and which dance elements future educators use in their work with children, of they consider the age difference between children and what are the weaknesses in their knowledge. ududThe research is designed quantitatively. 30 videotapes of the child dance performances, that students of first year on student practice filmed between years 2000 - 2005, are scooped in a sample. I made the systematic analysis for the in advance made metric instrument for determining the chosen dance elements and other chosen variables (age of children, teaching methods etc.)ududThe results are indicating, that students put more emphasis on the text and talk during the performance, then on encouraging children to dance expression. The analysis of the recordings also indicated that there is no difference between older and younger children in creative movement, although that was expected because of the locomotor and integral development. I searched the reasons for this in lack of knowledge of students and lack of practice with children in kindergartens.ududud
机译:斯洛文尼亚托儿所的教育工作者根据托儿所的有效课程计划其工作。在其中,不同的专家基于对儿童发育及其学习的详细和广泛分析,并以最佳发育的基本目标为基础,将过程发展目标定位在六个课程领域:语言,数学,运动,自然,社会和艺术。它们之间严格分开是没有意义的,因为将内容的一小部分连接起来会使内容更易于理解和有用。由于学龄前儿童发育的特点,跨学科的联系因此变得更加合理和/或紧迫。同时处理不同课程领域的方式不同。一种可能性是使用舞蹈,它属于艺术领域。 ud ud艺术领域是由不同的活动构成的:艺术和设计,音乐和音像,戏剧和舞蹈。在舞蹈活动中,我们安排嬉戏的游戏,民间舞蹈,舞蹈剧院和观看舞蹈表演,并通过创造性的运动安排各种仪式,人物,情感,自然和职业。计划教育工作的前提是必须了解各种舞蹈表演活动。因此,在硕士学位论文中,我将介绍幼儿园的舞蹈表演。即,我专注于什么是舞蹈,它如何对整个人体产生影响,它是进行舞蹈计划的最佳方式以及注意事项。通过对运动发展的理解,我将创意运动作为托儿所和学校的有效工作方法。我通过舞蹈刺激的具体示例介绍了跨学科与舞蹈创作活动联系的可能计划。 ud ud在选择与儿童一起工作的方式以及他/她的自主权来确定教育者的角色时,我正在研究主观理论的意义。我相信这些理论对教育工作的指导具有深远的影响。因为他们成长的时间更长,并且影响了研究,所以我想找出未来的教育者在与孩子一起工作时使用了哪些舞蹈元素以及哪些舞蹈元素,他们考虑了孩子之间的年龄差异以及他们的知识弱点是什么。 ud ud研究是定量设计的。从样本中选取了30头录像带,该录像带是从2000年至2005年之间拍摄的一年级学生练习舞蹈的儿童舞蹈表演的录像带。我对预先制定的度量工具进行了系统分析,以确定所选择的舞蹈元素和其他所选择的变量(儿童的年龄,教学方法等) ud ud结果表明,学生更加注重文字和说话在表演期间,再鼓励孩子跳舞。对录音的分析还表明,尽管运动和整体发展是可以预期的,但在创造性运动中年龄较大和较小的孩子之间没有差异。我调查了造成这种情况的原因,即缺乏学生的知识以及缺乏在幼儿园与孩子们练习的机会。 ud ud ud

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    Tratnik Petra;

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