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The importance of colour models for teaching about colour in elementary school

机译:色彩模型对于小学色彩教学的重要性

摘要

In this thesis we explored the importance that colour models have for teaching colour systematics in primary school. In the theoretical part history and theoretical nature of colour models are explored. We analyzed which colour models clearly illustrate significant colour problems such as colour mixing, contrasts, harmony and colour chords and dimensions, and in particular, how these problematics are illustrated. Based on the analysis of the curriculum and textbooks for art education in Slovenian elementary school, we also identified which colour models are used for teaching colour systematics, how they are used and which ones are not used at all. In the empirical part we first conducted an online survey among art teachers in Slovenian primary schools and identified how they teach some particular problematics of the colour systematics, which colour models they use while teaching and how they use them. Then we carried out an action research, in which I, by using different colour models, taught 8th grade students these contents in a specific way. Colour mixing, colour dimensions as well as colour harmony are included in the curriculum, but they are not taught in a way to illustrate the difference between artistic (RYB) and scientific (CMY) primary colours; also the discussion of colour dimensions does not include 3D colour models, and in the discussion of colour harmony coloured chords are not used. In action research, we therefore identified the impact of such illustration on the students' understanding. Based on the research we derived some guidelines for the use of colour models in the elementary art education.
机译:在本文中,我们探讨了色彩模型对于小学色彩系统教学的重要性。在理论部分中,探讨了颜色模型的历史和理论性质。我们分析了哪些颜色模型清楚地说明了重大的颜色问题,例如颜色混合,对比度,和声以及和弦和尺寸,尤其是如何说明这些问题。在对斯洛文尼亚小学美术教育课程和教科书进行分析的基础上,我们还确定了哪些色彩模型用于色彩系统教学,如何使用这些色彩模型以及根本没有使用哪些色彩模型。在实证部分,我们首先对斯洛文尼亚小学的美术老师进行了一次在线调查,确定了他们如何教授色彩系统的一些特殊问题,他们在教学中使用的色彩模型以及如何使用它们。然后,我们进行了一项动作研究,其中,我通过使用不同的颜色模型,以特定的方式教了八年级学生这些内容。课程中包括了色彩混合,色彩尺寸以及色彩和谐,但是并未以说明艺术(RYB)和科学(CMY)原色之间差异的方式进行教授;色彩尺寸的讨论也不包括3D色彩模型,在色彩和谐的讨论中,不使用彩色和弦。因此,在行动研究中,我们确定了此类插图对学生理解的影响。根据研究,我们得出了一些在基础艺术教育中使用色彩模型的指导原则。

著录项

  • 作者

    Lesar Urša;

  • 作者单位
  • 年度 2015
  • 总页数
  • 原文格式 PDF
  • 正文语种
  • 中图分类
  • 入库时间 2022-08-20 20:11:04

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