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Coupling conceptual modeling and rules for the annotation of dramatic media

机译:戏剧性媒体注释的概念建模和规则的耦合

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This paper presents an ontological approach to the domain of drama. After a description of the drama domain in a cross-cultural and media setting, we introduce the ontology Drammar. Drammar consists of two components, encoding respectively the conceptual model and the SWRL rules. The conceptual model, mainly grounding in AI theories, represents the major concepts of drama, such as agents, actions, plans, units, emotions and values. Then, the paper focuses on the rule component that augments the representation by mapping the intentions of the characters onto the actions actually performed and by appraising the emotion felt by the characters in the drama. To illustrate the functioning of the ontology we introduce a running example from an excerpt of the drama Hamlet. Finally, we carry out an evaluation of the approach on an annotation task that is relevant for drama studies research and teaching. In particular, the emotion appraisal is tested on the main characters of four dramas of different nature, by computing precision and recall results with respect to a human annotator.
机译:本文提出了一种戏剧领域的本体论方法。在描述跨文化和媒体环境中的戏剧领域之后,我们介绍了本体Drammar。 Drammar由两个部分组成,分别对概念模型和SWRL规则进行编码。该概念模型主要基于AI理论,它代表戏剧的主要概念,例如主体,行动,计划,单位,情感和价值。然后,本文着重于通过将角色的意图映射到实际执行的动作并评估戏剧中的角色所感受到的情感来增强表示的规则组件。为了说明本体的功能,我们从电视剧《哈姆雷特》的摘录中介绍了一个运行示例。最后,我们对与戏剧研究和教学有关的注释任务的方法进行了评估。尤其是,通过计算关于人类注释者的准确性和召回结果,对四个性质不同的戏剧的主要角色进行了情感评估。

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