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Non-destructive analysis of pigments in a triptych by Marten de Vos

机译:Marten de Vos对三联画中的颜料进行无损分析

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The Fine Arts Museum in Seville conserves an especially wide group of paintings from the 16th century Spanish art, among which one of the highest importance is a triptych attributed to Marten de Vos. One of the panels was recently restored, which opened a possibility for its material and technical analysis. For this research, only non-destructive techniques have been used: ultraviolet light, infrared reflectography, and X-ray fluorescence. The ultraviolet exam showed wide areas of later interventions, which were confirmed by X-ray fluorescence results. By infrared reflectography it was possible to observe underdrawings and some pentimenti. The X-ray fluorescence results identified inorganic pigments, common for that period of time: lead white, yellow, and red ochres, lead-tin yellow, vermilion, a green copper based pigment, azurite, smalt as De Vos's basic blue pigment, umber, and an organic black pigment, probably bone black.
机译:塞维利亚美术博物馆保存着一组非常特别的来自16世纪西班牙艺术的绘画,其中最为重要的是归因于Marten de Vos的三联画。最近修复了其中一个面板,这为其材料和技术分析提供了可能性。对于本研究,仅使用了非破坏性技术:紫外光,红外反射成像和X射线荧光。紫外线检查显示了大范围的后续干预措施,这通过X射线荧光结果得到了证实。通过红外反射成像,可以观察到下陷和一些下垂。 X射线荧光结果确定了这段时间内常见的无机颜料:铅白色,黄色和红色石,铅锡黄色,朱红色,基于铜的绿色颜料,石青,smalt作为De Vos的基本蓝色颜料,琥珀色,以及有机黑色颜料,可能是骨头黑。

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