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'L'Anima della villa toscana': Gabriele D'Annunzio at the Gamberaia, 1896 and 1898

机译:“托斯卡纳别墅的灵魂”:甘贝莱亚(Gamberaia)的加布里埃莱·德·安嫩齐(Gabriele D'Annunzio),1896年和1898年

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摘要

Two entries under the heading 'Ariel' in the taccuino or notebook of Gabriele D'Annunzio dated 27 and 28 April 1896 describe what were probably the poet's first visits to the Gamberaia and the thoughts, images and sensations elicited by this very personal experience. Some two years later, D'Annunzio recorded in another notebook, under 16 May and 20 June 1898, the impressions and reminiscences from other visits. Since that time, the taccuini containing these entries have been published in the national edition of D'Annunzio's collected writings, but they have been mentioned only marginally in connection with his literary work, overlooked in essays on D'Annunzio as critic and interpreter of gardens, and never taken into account in studies of the Villa Gamberaia itself. The present paper is simply a brief introduction to these topics, but it may offer new insights and suggest new directions of research, for D'Annunzio's descriptions of the Gamberaia not only capture and transform into poetic images the lyric and dramatic qualities of the gardens, but also provide unique testimony on their condition in the years 1896--98. In particular, a passage in one of the entries enables us to date, for the first time with any certainty, the beginning of the changes that Princess Ghyka made in the design of the parterre.
机译:加布里埃莱·德·安嫩齐奥(Gabriele D'Annunzio)在taccuino或笔记本上的“阿里埃勒”(Ariel)标题下有两个条目,描述了诗人首次访问甘贝里亚的可能是什么,以及这种非常个人的经历所引起的思想,图像和感觉。大约两年后,D'Annunzio于1898年5月16日至6月20日在另一本笔记本中记录了其他访问的印象和回忆。从那时起,包含这些词条的手稿已经在达·安努齐奥(D'Annunzio)收集的著作的全国版中发表,但与他的文学作品相关的提及很少,在关于达·安努齐奥(D'Annunzio)的评论家和花园翻译中被忽略,并且从未在Villa Gamberaia本身的研究中予以考虑。本文只是对这些主题的简要介绍,但它可能会提供新的见解并提出新的研究方向,因为D'Annunzio对Gamberaia的描述不仅捕捉并转化了诗意的图像,体现了花园的抒情和戏剧性,而且在1896--98年间也提供了有关其状况的独特证词。特别是,其中一个条目的段落使我们可以肯定地第一次确定Ghyka公主在花坛设计中所做的更改的开始。

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