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The role of the Gestalt principle of similarity in the watercolor illusion

机译:格式塔相似性原理在水彩幻觉中的作用

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The watercolor illusion presents two main effects: a long-range assimilative color spreading (coloration effect), and properties imparting a strong figure status (figural effect) to a region delimited by a dark (e.g. purple) contour flanked by a lighter chromatic contour (e.g. orange). In four experiments, the strength of the watercolor illusion to determine figure-ground organization is directly compared (combined or pitted against) with the Gestalt principle of similarity both of color and line width. The results demonstrated that (i) the watercolor illusion and, particularly, its figural effect won over the classical Gestalt factors of similarity; (ii) the watercolor illusion cannot be due to the coloration effect as suggested by the similarity principle; (iii) coloration and figural effects may be independent in the watercolor illusion, and (iv) the watercolor illusion can be considered as a principle of figure-ground segregation on its own. Two parallel and independent processes as proposed within the FACADE model (Grossberg, 1994, 1997) are suggested to account for the two effects of coloration and figural enhancement in the watercolor illusion.
机译:水彩错觉有两个主要作用:长距离的同色散布(着色作用),以及对以深色(例如紫色)轮廓为边界并以较浅的彩色轮廓为边界的区域赋予强烈的图形状态(图形效果)的特性(例如橙色)。在四个实验中,将水彩幻觉确定人物底纹组织的强度与颜色和线条宽度相似的格式塔原理直接比较(组合或刻蚀)。结果表明:(i)水彩幻觉,尤其是其图形效果胜过了类似格式塔的经典因素; (ii)水彩错觉不能归因于相似性原理所暗示的着色效果; (iii)着色和图形效果在水彩幻觉中可能是独立的,并且(iv)水彩幻觉可被视为是图地隔离的原则。在FACADE模型(Grossberg,1994,1997)中提出了两个并行和独立的过程,以说明水彩幻觉中着色和图形增强的两种效果。

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