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Capturing the Romance of the Past in a contemporary painting

机译:在当代绘画中捕捉过去的浪漫

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摘要

AS ORCHIDS ARE MY MUSE, SOME of my persistent inquiries are "What has made the orchid such an intense object of desire over time? How can our past tell us why we are captivated by the orchid in the present? And why are some orchids more personally compelling than others?" On my artistic and intellectual exploration for answers, I was introduced to the almost hypnotic beauty of cattleyas by Jeff Bradley, an American Orchid Society trustee who resides in Houston, Texas, whom I had the pleasure of meeting at the AOS Members Meeting at Longwood Gardens in March 2008. He introduced me to a member of the du Pont family who viewed my painting Illuminated Vandas at Longwood, which was unveiled and exhibited in the conservatory. During that serendipitous meeting, the lively conversation that followed about two specific cattleyas named after two du Pont leading ladies sparked my interest in learning more about Cattleya Alice B. du Pont (Sunrise Chalet x Louise Georgiana) and the women behind this orchid.
机译:兰花是我的缪斯女神,我经常问:“是什么使兰花随着时间的流逝成为如此强烈的欲望对象?我们的过去如何告诉我们为什么我们现在被兰花所迷住?为什么有些兰花更个人比其他人更具吸引力?”在寻求答案的艺术和智力探索中,居住在得克萨斯州休斯顿的美国兰花学会受托人Jeff Bradley向我介绍了洋兰的几乎催眠之美,我很高兴在Longwood Gardens举行的AOS成员会议上见面在2008年3月,他向我介绍了杜邦(Du Pont)家族的一个成员,他观看了我在朗伍德(Longwood)的画作《发光的万达斯》(Illuminated Vandas),该画作在温室中展出并展出。在那次偶然的会议上,围绕着两个以两位杜邦领导女士命名的特定洋洋娃娃进行的热烈交谈激发了我的兴趣,希望更多地了解卡特兰娜·爱丽丝·杜邦(日出小屋x路易丝·乔治亚娜)和这朵兰花的女人。

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  • 来源
    《Orchids》 |2012年第1期|共2页
  • 作者

    PATRICIA LASPINO;

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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 园艺;
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  • 入库时间 2022-08-18 14:16:50

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