The fatal wound of Hector, according to a drawing by Peter Paul Rubens designed for tapestry weaving.

摘要

According to the Iliad(Chapter XXII, Verses 322-329), Hector, while fighting his last duel, was almost entirely protected by bronze armor, with only a small area "where the clavicle marks the boundary between neck and thorax" exposed. It was precisely into this area, "the shorter way to death," that Achilles thrust his lance. This fatal wound, although covering Hector with blood, allowed the victim to pronounce a few words. In designing the Story of Achilles, his fourth and last series of drawings especially designed for tapestry weaving, Rubens depicted Achilles stabbing Hector near the midline of his neck. There is evidence that Rubens was always well acquainted with the literary sources of his pictures. It is also likely that he became familiar with contemporary editions of the Iliad that were enhanced with commentaries. Realizing that the wound depicted in his original drawing should have prevented Hector from speaking, Rubens altered the scene, then showing the lance piercing the cervical vascular bundle. The careful scrutiny for literary accuracy that was typical of Rubens' artistic behavior did not prevent an additional minor imprecision in the final tapestry. Nevertheless, his outstanding expressive power enabled him to give form to a gigantic baroque representation of the death of Hector in masterly fashion.