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Remembering Mayberry in White and Black: The Andy Griffith Show's construction of the south

机译:在白色和黑色中记住梅伯里:安迪·格里菲斯秀(Andy Griffith Show)南部的建筑

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摘要

The 1960s situation comedy The Andy Griffith Show and its fictional setting, Mayberry, comprise a lieu de memoire, a site of memory, with multiple and shifting meanings tied to history and identity. The series relied on sophisticated notions of nostalgia to invent a seemingly traditional yet unconventional American South. Although its lead character was a Southern sheriff during the volatile Civil Rights Movement, Mayberry eschewed racial tension by having no recognizable Black residents. Yet, the obituaries for its star, Andy Griffith, in 2012 not only illustrated the program's stamp on American and Southern identity and memory but also the ways Mayberry as a site of memory had been embraced, reinterpreted, and reimagined by a twenty-first century audience that includes African Americans. Decades after its prime-time run, The Andy Griffith Show is a beloved reconstruction of Southern history, memory, and identity that spurs nostalgic notions of community even from African Americans shut out of its original narrative.
机译:1960年代的情景喜剧《安迪·格里菲斯秀》及其虚构的场景《梅伯里》,是一部回忆录,一个记忆的场所,其含义与历史和身份有着多重且变化的含义。该系列小说以怀旧的精致观念为基础,发明了看似传统却非常规的美国南方。尽管它的主角是动荡的民权运动期间的南部警长,但梅伯里没有可辨认的黑人居民,从而避免了种族紧张。然而,2012年其明星安迪·格里菲斯(Andy Griffith)的the告书不仅说明了该计划在美国和南方的身份和记忆上的印记,而且还阐明了梅伯里作为记忆场所的方式在二十一世纪被接受,重新诠释和重新构想包括非裔美国人在内的观众。安迪·格里菲斯秀(Andy Griffith Show)在黄金时段上演了几十年后,对南方的历史,记忆和身份进行了令人心爱的重建,甚至激发了怀旧的社区观念,甚至将非洲裔美国人从最初的叙述中排除在外。

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