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Art Jewelry's Fashion Moment--The influence of art jewelry on fashion jewelry has never been stronger

机译:Art Jewelry的时尚时刻-艺术饰品对时尚饰品的影响从未如此强大

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WHAT HAS THE rarefied-and increasingly conceptualized-world of art jewelry to do with the trend-driven parallel universe of fashion? While it may come as a surprise, there are indeed relation ships, if not intersections, between the two realms. While the fashion world necessarily operates by the merciless rules of seasonal merchandising, producing fairly predictable, conservative styles overall, the fashion press has always championed the creativity of individual jewelry designers-and never so enthusiastically as now. The December 2007 issue of Vogue showcased the stunning '50s-era sculptural pieces of Art Smith (whose work is reviewed in this issue), and the maga-zine regularly accessorizes sittings with the jewelry of contemporary designers, such as Taher Chemirik, Herve van der Straeten, and Philip Crangi. At the same time, the gallery world is discovering how powerful marketing-via the very successful SOFA shows and promotional events- benefits artists, garnering the attention of a larger audience of fashion- and design-oriented consumers.
机译:稀有且概念化程度更高的艺术珠宝世界与趋势驱动的平行时尚世界有什么关系?虽然这可能令人惊讶,但在两个领域之间确实存在关系船,即使不是交叉路口。尽管时尚界必须按照季节性商品的无情规则运作,整体上产生相当可预测的保守风格,但时尚媒体始终拥护个别珠宝设计师的创造力-从未像现在这样热情。 2007年12月发行的《时尚》(Vogue)展示了令人惊叹的50年代雕塑艺术史密斯(Art Smith)(其作品在本期中得到了评论),而《 maga-zine》杂志定期将当代设计师的珠宝(例如Taher Chemirik,Herve van der Straeten和Philip Crangi。同时,画廊界正在通过非常成功的SOFA展览和促销活动发现强大的营销手段使艺术家受益,从而吸引了更多以时尚和设计为导向的消费者的关注。

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