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PAINTING WITH FIRE: MASTERS OF ENAMELING IN AMERICA, 1930-1980

机译:用火涂画:1930-1980年在美国的绘画大师

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Bernard Jazzar and Hal Nelson's long-term interest and scholarly approach to mid-century enameling has resulted in a landmark study of the subject in the United States, Painting with Fire, a large format, 288-page volume with more than 200 color images, was published as a companion to the traveling exhibition of the same name, organized by the authors during Nelson's tenure as director of the Long Beach Museum of Art. Jazzar and Nelson's publication offers the first fine color illustrations of enameilsts' work of the 1940s and 1950s, and is incalculably important for the return of these early works to the public consciousness. Painting with Fire is the first survey that explores the resurgence of enamel on metal as it developed within the mid-century American craft movement. The book's chronological division into early, middle, and late sections allows a clear path to illuminate the variety and progress in the field. The impressively broad focus of the study explores the work of 15 significant artists who advanced the medium. There is a chapter on each artist, and brief but informative biographies of 30 additional enamelists notable in the field.
机译:伯纳德·贾扎尔(Bernard Jazzar)和哈尔·尼尔森(Hal Nelson)对本世纪中叶珐琅的长期兴趣和学术方法,对美国这个主题进行了具有里程碑意义的研究,《用火画》,大幅面,288页,包含200多种彩色图像,该出版物是同名旅行展览的同伴作品,该展览是由作者在纳尔逊(Nelson)任长滩艺术博物馆(Long Beach Art)馆长期间组织的。贾扎尔(Jazzar)和纳尔逊(Nelson)的出版物提供了1940年代和1950年代搪瓷作品的第一批精美彩色插图,对于将这些早期作品归还公众意识具有不可估量的重要性。 《用火画》是第一个对搪瓷在金属上的复兴的调查,这种搪瓷是在上世纪中叶的美国工艺运动中发展起来的。该书按时间顺序将其分为早期,中期和后期,这为阐明该领域的变化和进展提供了一条清晰的道路。研究的重点广泛,探索了15位促进该媒体发展的重要艺术家的作品。关于每一位艺术家都有一章,并介绍了该领域中另外30位珐琅大师的简短但内容丰富的传记。

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