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A Non-Aristotelian Model: Time as Space and Landscapein Postmodern Theatre

机译:非亚里士多德模式:后现代剧院中的时间作为空间和景观

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In his Poetics, Aristotle articulated certain ideas on the structure of drama thatdominated both dramatic literature and theatre practices for the centuries to come. In thisarticle I show how the thorough analysis of his statements leads us to believe that he endorsescausality, narrativity, and temporal linearity as primary factors in the organization of dramaticand stage texts. Tracing various modifications of causality throughout theatre history, I usethe work of the two prominent contemporary directors, Eimuntas Nekrosius and AnatolyVasilyev, to demonstrate how postmodernist theatre has arrived at non-Aristotelian theatricalmodel based on the unity of a time–space continuum rather than temporal development.
机译:亚里士多德(Aristotle)在他的《诗学》中阐明了有关戏剧结构的某些观念,这些观念在未来几个世纪都占据着戏剧文学和戏剧实践的主导地位。在本文中,我展示了对他的陈述的透彻分析如何使我们相信,他认可因果性,叙述性和时间线性是构成戏剧文本和舞台文本的主要因素。追溯整个剧院历史上因果关系的各种变化,我使用两位著名当代导演Eimuntas Nekrosius和AnatolyVasilyev的作品,来证明后现代主义剧院如何基于时空连续性而非时间发展的统一而到达非亚里士多德戏剧模型。

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