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Where glass and art connect

机译:玻璃与艺术品的交汇处

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摘要

While the patrons of the new Edgewater Casino in Vancouver, British Columbia, enjoy the slot machines and gaming tables, it is the building's interior design team who should be considered the jackpot winners. Located on False Creek, Vancouver's inner harbour at the Plaza of Nations, the building itself was British Columbia's pavilion on the site of Expo '86 World's Fair. Retrofitting the all glazed building facade to suit a new casino tenant posed a unique challenge. The existing building, made almost entirely out of glass with 80 foot high vaulted ceilings, looked more like a greenhouse allowing excessive natural light into the interior and had inadequate ventilation and air handling systems. The design plans called for the building to maintain its existing glass facade while being adapted for use as a full service casino which traditionally seek low ceilings, enclosed interiors without natural light and totally controlled comfort elements. Considering it was the transparency of the exterior glass posing the greatest challenge to the design requirements, it is ironic then that glass would be one of the primary elements used to fulfill them.
机译:不列颠哥伦比亚省温哥华的新Edgewater赌场的顾客在享受老虎机和游戏桌的同时,应该将建筑物的室内设计团队视为头奖赢家。该建筑物位于温哥华国家广场内心的福克斯克里克(False Creek)上,本身就是不列颠哥伦比亚省在86年世博会世博会现场的凉亭。改造全玻璃建筑立面以适应新的赌场租户构成了独特的挑战。现有的建筑物几乎完全由玻璃制成,并有80英尺高的拱形天花板,看起来更像是温室,内部光线充足,通风和空气处理系统不足。设计计划要求该建筑物保持其现有的玻璃幕墙,同时又适合用作全方位服务的赌场,该赌场传统上要求低天花板,封闭的室内空间,没有自然光线和完全可控的舒适元素。考虑到外部玻璃的透明性是对设计要求的最大挑战,具有讽刺意味的是,玻璃将成为满足这些要求的主要元素之一。

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    《Glass Canada》 |2005年第3期|共4页
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  • 原文格式 PDF
  • 正文语种 eng
  • 中图分类 玻璃工业;
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