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Reverse-Printed Paper Instruments (With a Note on the First Slide Rule)

机译:反向印刷纸质工具(附有第一个计算尺的注释)

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摘要

When David Bryden published his exceptionally useful essay 'The Instrument Maker and the Printer: Paper Instruments Made in Seventeenth Century London' (1997), there was one class of print that left him puzzled: 'Another practice to be aware of,' he wrote, 'is the paper instrument that has been made by using a flat engraved brass instrument as a printing plate. Whether this was simply to record a piece of particularly fine or laborious workmanship for future reference in the workshop, and as a sample which could be shown to customers, or some other explanation, remains speculative so long as so few examples are known.' At that point Bryden could list two reverse-printed paper instruments, both held at the Museum of the History of Science, Oxford: a print from the dial-plate of an early-eighteenth century John Rowley horizontal dial (inv. no. 13309); and one from the 'Rojas' projection on a large 1659 astrolabe by Henry Sutton - the latter, remarkably, stored at the MHS alongside the instrument from which it was pulled (Figs la & b; inv. nos. 56420 and 51786, respectively).
机译:当大卫·布赖登(David Bryden)发表他特别有用的文章“仪器制造商和打印机:伦敦十七世纪制造的纸制仪器”时(1997),有一类印刷品令他感到困惑:“另一种需要注意的作法,”他写道。 “,”是通过使用平刻黄铜乐器作为印版制成的纸质乐器。只要知道的例子很少,这是否只是为了记录一块特别精细或费力的工艺以供车间将来参考,以及作为可以向客户展示的样本或其他解释仍然是猜测。那时,布赖登可以列出两种反印的纸制乐器,都在牛津科学历史博物馆举行:十八世纪初约翰·罗利(John Rowley)横式表盘的表盘版画(编号13309) ;另一幅来自亨利·萨顿(Henry Sutton)在1659年的大型星盘上的“罗哈斯”投影-后者显着地与拉出它的乐器一起存储在MHS中(分别见图la和b;分别分别拥有编号56420和51786的编号) 。

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