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Red, White and Black: Colors of Beauty, Tints of Health and Cosmetic Materials in Early Modern English Art Writing

机译:红色,白色和黑色:早期现代英语艺术写作中的美丽色彩,健康色彩和化妆品材料

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摘要

Alongside Richard Haydocke's translation of Giovanni Paolo Lomazzo's treatise on painting (1598), the article examines concepts of color concerning cosmetics, painting and complexion as they relate to aesthetics, artistic and medical practice in the sixteenth and seventeenth centuries. Beginning with white and red as ideal colors of beauty in Agnolo Firenzuola's Discourse on the beauty of women (1541), the essay places color in relation to major issues in art, medicine and empiricism by discussing beauty as a quality of humoral theory and its colors as visual results of physiological processes. Challenging the relation of art and nature, gender and production, Lomazzo's account of complexion and Haydocke's additions on cosmetic practices and face-painting provide key passages that shed light on the relation of cosmetics colors, art writing and artistic practices at the convergence of the body, art and medicine in the context of the emerging English virtuosi around 1600.
机译:除了理查德·海多克(Richard Haydocke)翻译乔万尼·保罗·洛马佐(Giovanni Paolo Lomazzo)的绘画专论(1598)外,本文还研究了与化妆品,绘画和肤色有关的色彩概念,这些色彩与16世纪和17世纪的美学,艺术和医学实践有关。从Agnolo Firenzuola的《关于女性的美的话语》(1541)中以白色和红色作为美的理想色彩开始,本文通过讨论作为一种幽默理论及其色彩的美来讨论与艺术,医学和经验主义等重大问题有关的色彩。作为生理过程的视觉结果。挑战艺术与自然,性别与生产之间的关系,洛马佐(Lomazzo)对肤色的描述以及海多克(Haydocke)在美容实践和面部彩绘方面的补充提供了关键段落,阐明了人体融合时化妆品颜色,艺术写作和艺术实践之间的关系。 ,艺术和医学在1600年左右出现的新兴英语美誉者的背景下。

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