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Power, Patronage, and the Authorship of Ars: From Mechanical Know-how to Mechanical Knowledge in the Last Scribal Age

机译:权力,赞助人和Ars的作者:从技术知识到最后抄写时代的机械知识

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"Power, Patronage, and the Authorship of Ars" is a study of books on the mechanical arts that appeared in the fifteenth century from Italy and south Germany. At this time a significant proliferation of such books occurred, some profusely illustrated, others exclusively textual. They include Latin books on military apparatus and other kinds of machines, German-language codices on gunpowder artillery and machines, humanist treatises on painting, sculpture, architecture, and the military arts, and vernacular writings on such subjects by practitioners. The author argues that the patronage that encouraged the creation of such books developed because of a new close alliance between political and military praxis and the mechanical arts. She suggests that such authorship elevated the status of the mechanical arts by explicating them in writing, rationalizing them, and associating them with ancient traditions. They were thus prepared for appropriation by the new experimental philosophy of the next era.
机译:“权力,赞助人和Ars的作者身份”是对15世纪从意大利和德国南部出现的机械艺术书籍的研究。这时,这类书的数量激增,有的书中有插图,有的书中只有文字。它们包括有关军事仪器和其他类型机器的拉丁书籍,关于火炮和机器的德语文本,关于绘画,雕塑,建筑和军事艺术的人文论着,以及从业者关于这些主题的白话文字。作者认为,鼓励创作此类书籍的赞助是由于政治和军事实践与机械艺术之间建立了新的紧密联盟而发展起来的。她认为,这样的作者身份可以通过以书面形式进行阐述,合理化以及将其与古代传统联系起来来提高机械艺术的地位。因此,它们准备被下一个时代的新实验哲学占用。

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