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Ten years of a model of aesthetic appreciation and aesthetic judgments: The aesthetic episode – Developments and challenges in empirical aesthetics

机译:审美欣赏和审美判断模型的十年:审美情节–实证美学的发展与挑战

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About a decade ago, psychology of the arts started to gainmomentumowing to a number of drives: technological progress improved the conditions under which art could be studied in the laboratory, neuroscience discovered the arts as an area of interest, and new theories offered a more comprehensive look at aesthetic experiences. Ten years ago, Leder, Belke, Oeberst, and Augustin (2004) proposed a descriptive information-processingmodel of the components that integrate an aesthetic episode. This theory offered explanations for modern art’s large number of individualized styles, innovativeness, and for the diverse aesthetic experiences it can stimulate. In addition, it described howinformation is processed over the time course of an aesthetic episode, within and over perceptual, cognitive and emotional components. Here, we review the current state of themodel, and its relation to the major topics in empirical aesthetics today, including the nature of aesthetic emotions, the role of context, and the neural and evolutionary foundations of art and aesthetics.
机译:大约十年前,由于许多驱动因素,艺术心理学开始获得发展动力:技术进步改善了在实验室研究艺术的条件,神经科学发现了人们感兴趣的艺术领域,新理论提供了更全面的方法。看审美体验。十年前,Leder,Belke,Oeberst和Augustin(2004)提出了一个描述性信息处理模型,该模型整合了审美情节。这一理论为现代艺术的大量个性化风格,创新性以及可以激发的多样化审美体验提供了解释。另外,它描述了在感官,认知和情感成分之内和之上,在审美情节的时间过程中如何处理信息。在这里,我们回顾了模型的当前状态,以及它与当今经验美学的主要主题之间的关系,包括审美情感的本质,上下文的作用以及艺术和美学的神经和进化基础。

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