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Using affective and behavioural sensors to explore aspects of collaborative music making

机译:使用情感和行为传感器探索协作音乐制作的各个方面

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摘要

Our research considers the role that new technologies could play in supporting emotional and nonverbal interactions between musicians during co-present music making. To gain a better understanding of the underlying affective and communicative processes that occur during such interactions, we carried out an exploratory study where we collected self-report and continuous behavioural and physiological measures from pairs of improvising drummers. Our analyses revealed interesting relationships between creative decisions and changes in heart rate. Self-reported measures of creativity, engagement, and energy were correlated with body motion; whilst EEG beta-band activity was correlated with self-reported positivity and leadership. Regarding co-visibility, lack of visual contact between musicians had a negative influence on self reported creativity. The number of glances between musicians was positively correlated with rhythmic synchrony, and the average length of glances was correlated with self-reported boredom. Our results indicate that ECG, motion, and glance measurements could be particularly suitable for the investigation of collaborative music making. (C) 2015 Elsevier Ltd. All rights reserved.
机译:我们的研究考虑了新技术在共同演示音乐制作过程中在支持音乐家之间的情感和非语言互动中所起的作用。为了更好地了解这种互动过程中发生的潜在情感和交流过程,我们进行了探索性研究,从成对的鼓手那里收集了自我报告以及连续的行为和生理指标。我们的分析揭示了创造性决策与心率变化之间的有趣关系。自我报告的创造力,参与度和精力测量与身体运动相关;而脑电图谱带活动与自我报告的积极性和领导能力相关。关于共同可见性,音乐家之间缺乏视觉接触会对自我报告的创造力产生负面影响。音乐家之间的扫视次数与节奏的同步性呈正相关,平均的视线长度与自我报告的无聊程度呈正相关。我们的结果表明,心电图,运动和扫视测量可能特别适合于协作音乐制作的研究。 (C)2015 Elsevier Ltd.保留所有权利。

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