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Stage Fright and Joy: Performers in Relation to the Troupe, Audience, and Beyond

机译:怯场与欢乐舞台:与剧团,观众及其他相关的表演者

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摘要

When a performer gives a public performance, there is awareness and some form of engagement with the group of people who constitute the audience. Perceptions of this "audience group" may affect the performer in various ways, sometimes contributing to "stage fright", sometimes stimulating the performer to an especially uplifting and thrilling performance. Depending on their art form, performers may also be highly conscious of another group (in some arts referred to as a troupe), their fellow actors, dancers, vocalists or musicians. In this paper, we review relevant psychoanalytic, psychological and theater literature. We then report on findings from an aspect of our qualitative research into performance anxiety with musicians, actors, and public speakers who were interviewed concerning their experiences of performing. These performers gave detailed reflections on their relationship with audiences and fellow performers and experiences of performing, including debilitating fright, but also those of an uplifting, joyous, sometimes spiritual nature.
机译:当表演者进行公开表演时,就会与构成听众的一群人有意识并有某种形式的互动。对“听众群体”的感知可能会以各种方式影响表演者,有时会助长“舞台惊恐”,有时会刺激表演者特别振奋人心的表演。取决于他们的艺术形式,表演者也可能高度意识到另一个群体(在某些艺术中被称为艺术团),他们的同伴演员,舞者,歌手或音乐家。在本文中,我们回顾了相关的心理分析,心理学和戏剧文献。然后,我们从对表演焦虑的定性研究的一个方面报告了发现,与音乐家,演员和公众演说家就表演经验进行了访谈。这些表演者对他们与观众和其他表演者的关系以及表演经验进行了详细的思考,包括使人胆怯,也使人振奋,欢乐,有时甚至是属灵的。

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