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Exploring the Intersection of Personal and Public Authorial Voice in the Works of Willa Cather

机译:探索薇拉·凯瑟作品中个人和公共作者声音的交集

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This research began in a class taught by Matthew Jockers and has continued under his direction as a project of the newly formed Nebraska Literary Lab. Our work focused on mining the fiction and non-fiction works of Willa Cather that are housed in the Willa Cather Archive at the University of Nebraska-Lincoln (Jewell, Andrew. The Willa Cather Archive. University of Nebraska-Lincoln, 2004-2013. Web). Largely regarded as a private person, Cather forbade the publication of her correspondence; only recently have her letters finally been published. With the publication of these letters comes the unique opportunity for scholars to research Cather's personal thoughts and voice. Our research focused on using stylometrics to explore the ways in which the voice Cather used in her correspondence differs from the voice she used in her public writing; our conclusions point to similarities between Cather's novel My Mortal Enemy, a work noted for both its economy of style and autobiographical features, and her recently published letters.
机译:这项研究始于马修·乔克斯(Matthew Jockers)教授的一堂课,并在他的指导下继续进行,作为新成立的内布拉斯加州文学实验室的一个项目。我们的工作重点是挖掘内布拉斯加大学林肯分校 Willa Cather 档案馆中存放的 Willa Cather 的小说和非小说作品(Jewell, Andrew.薇拉·凯瑟档案馆。内布拉斯加大学林肯分校,2004-2013。网络)。凯瑟在很大程度上被视为私人,禁止发表她的信件;直到最近,她的信件才终于被发表。随着这些信件的出版,学者们有了独特的机会来研究凯瑟的个人思想和声音。我们的研究重点是使用文体计量学来探索凯瑟在通信中使用的声音与她在公开写作中使用的声音的不同之处;我们的结论指出了凯瑟的小说《我的死敌》与她最近出版的信件之间的相似之处,这部作品以其风格经济和自传特征而闻名。

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