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Poetry, Cosmology, Cosmogony

机译:诗歌,宇宙论,宇宙论

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摘要

This reflective essay investigates the relationship between, on the one hand, the author's own creative practice and, on the other, cosmological discoveries, both old and new. A series of poems from his collection, Musicolepsy (Shoestring Press, 2013), is presented, contextualized and discussed. All the poems, in very different ways, negotiate and explore the linguistic boundaries and overlap between poetry and cosmology. Specifically, the poetry provides a space in which the sometimes casual, sometimes deep-rooted analogies,metaphors and allusions of popular scientific discourse can be probed, dissected, stretched or exploded. In this way, poetry itself might be seen to embody a kind of pseudoscientific sphere of experimentation, when applied to scientific language.
机译:这篇反思性文章一方面探讨了作者自己的创作实践,另一方面则探讨了新旧宇宙学发现之间的关系。介绍,情境化和讨论了他的收藏集《 Musicoepsy》(Shoestring出版社,2013年)中的一系列诗歌。所有诗歌都以截然不同的方式来协商和探索诗歌与宇宙学之间的语言界限和重叠。具体而言,诗歌提供了一个空间,在其中可以探究,剖析,延伸或发掘时而随意,时而根深蒂固的类比,隐喻和典故。这样,诗歌本身在应用于科学语言时,可能被视为体现了一种伪科学的实验领域。

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