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FIN ART OR FINE ART? - Sculptor Bernardo casts American iron in a new way

机译:美术还是美术? -雕塑家贝尔纳多(Bernardo)以新方式铸造美国铸铁

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BERNARD CORMAN, A.K.A. Bernardo, is one sculptor whose work-a captivating collection of outrageously contorted and twisted automobiles-tends toward Ronin rather than Rodin. His two-and-a-half-ton full-scale bronze sculpture of a 1959 Cadillac features a whimsical 90-degree bend in the middle that prompted Corman to dub it Caddy Corner. Much smaller in format but bolder in concept is the front half of a 1955 Buick melded to the lower half of a corpulent naked female, aptly titled Big Ass Buick. Another '50s Cadillac is the subject of Double Vision, which depicts twin front ends stitched together at the fenders and a giant eyeball residing on the roof.
机译:伯纳德·科曼(A.K.A.)贝尔纳多(Bernardo)是一位雕塑家,他的作品令人着迷,收藏着大量扭曲而扭曲的汽车,它们倾向于罗宁而不是罗丹。他的两吨半半的全尺寸青铜雕塑(1959年的凯迪拉克)在中间出现了异想天开的90度弯曲,促使科曼(Corman)将其复制为球童角。 1955年款别克汽车的前半部分融合了肥大的裸女下半部分的身材,大小则小得多,但概念上却大胆。另一个50年代的凯迪拉克是Double Vision的主题,它描绘了在挡泥板上缝合在一起的两个前端以及在车顶上的巨大眼球。

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